'Skyfall' Review

The trailer is great.

And at Telegraph UK, "Skyfall, James Bond, review":

When is a Bond film not a Bond film? It’s a question likely to prey on the minds of the very many cinema goers who will see this 23rd official 007 adventure. Skyfall shakes together familiar elements of the Ian Fleming canon – the cars, the guns, the exotic locales with the dames to match – into a blistering comic book escapade that the old Bond, and one suspects Fleming too, would find altogether alien.

Sam Mendes’s frequently dazzling, utterly audacious entry in the franchise has less in common with its much-loved predecessors than Christopher Nolan’s The Dark Knight. After its release in 2008 (when it left Quantum of Solace, the 22nd Bond film, trailing in its wake), Nolan’s pathbreaking superhero picture almost single-handedly reconfigured the modern blockbuster template. Like a wise old dog, 007 has studied it carefully, and learned some new tricks.

Here, Bond (Daniel Craig) faces a foe almost as inscrutable as the Joker himself: Raoul Silva (Javier Bardem), an ex-MI6 agent who worked with M (Judi Dench) in her pre-Handover Hong Kong days who has returned, unhinged by a perceived betrayal, as a master computer hacker bent on vengeance.

Bardem’s lip-lickingly camp turn makes him the oddest Bond villain since the Roger Moore era, and his nicotine hair flops queasily over his forehead in a way that calls to mind Julian Assange. By acknowledging the rise of cyberterrorism in the same way Nolan played on the West’s new vulnerability in the wake of 9/11, Skyfall is a Bond film for the Anonymous generation.

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Daniel Craig is an awesome bond. I'm sure "Skyfall" will be spectacular.