“Life in space is impossible.” That stark statement of scientific fact is one of the first things to appear on screen in “Gravity,” but before long, it is contradicted, or at least complicated. As our eyes (from behind 3-D glasses) adjust to the vast darkness, illuminated by streaks of sunlight refracted through the Earth’s atmosphere, we detect movement that is recognizably human and hear familiar voices. Those tiny figures bouncing around on that floating contraption — it looks like a mobile suspended from a child’s bedroom ceiling — are people. Scientists. Astronauts. Movie stars. (Sandra Bullock and George Clooney in spacesuits, as Mission Specialist Ryan Stone and Mission Commander Matt Kowalski; Ed Harris, unseen and unnamed, as “Houston” down below).Continue reading.
The defiance of impossibility is this movie’s theme and its reason for being. But the main challenge facing the director, Alfonso Cuarón (who wrote the script with his son Jonás), is not visualizing the unimaginable so much as overcoming the audience’s assumption that we’ve seen it all before. After more than 50 years, space travel has lost some of its luster, and movies are partly to blame for our jadedness. It has been a long time since a filmmaker conjured the awe of “2001: A Space Odyssey” or the terror of “Alien” or captured afresh the spooky wonder of a trip outside our native atmosphere.
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Saturday, October 5, 2013
'Gravity' — Between Earth and Heaven
A.O. Scott reviews "Gravity," at the New York Times:
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