Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Saturday, November 18, 2017

Beautiful Nude Actresses

I just love Natalie Portman, heh.

At Maxim, "15 Beautiful Actresses Who Always Get Naked."


Ethical Movies

Well, before I see any film I'll check in advance if Harvey Weinstein, or any of the Mirimax people, had anything to do with it. We just saw "Thor: Ragnarok" last week, and I can't believe Weinstein was a part of the production, but who knows these days?

I'm not planning a lot of trips to the movie house, in any case. I'm disgusted by these people, all of them.

At the Atlantic:



Saturday, November 11, 2017

Sunday, October 29, 2017

'Suburbicon' is Worst Release in the History of Paramount Pictures

Heh, serves him right. It just serves radical left-wing hypocrite George Clooney right.

At the Wrap, "With ‘Suburbicon,’ George Clooney’s Box Office Struggles Continue."

And at NYT:



Refusing Harvey Weinstein’s Hush Money

Rose McGowan's a radical leftist. She really is. She's about the resistance, lol.

But I like her anyway. I'm cutting her some slack. Politics is messed up as it is. It's tribal. I hate Democrats. But she's becoming an iconic presence, speaking out, and speaking way ahead of everyone else. It's empowering. Of course, she's taking down the left while she's at it, so that's particularly interesting, heh.

In any case, at NYT, "Refusing Weinstein’s Hush Money, Rose McGowan Calls Out Hollywood":


In late September, just as multiple women were days away from going on the record with reports of Harvey Weinstein’s sexual misconduct, one of his alleged assault victims, Rose McGowan, considered an offer that suggested just how desperate the Hollywood producer had become.

Ms. McGowan, who was working on a memoir called “Brave,” had spoken privately over the years about a 1997 hotel room encounter with Mr. Weinstein and hinted at it publicly. Through her lawyer, she said, someone close to Mr. Weinstein offered her hush money: $1 million, in exchange for signing a nondisclosure agreement.

In 1997, Ms. McGowan had reached a $100,000 settlement with Mr. Weinstein, but that agreement, she learned this summer, had never included a confidentiality clause. Ms. McGowan, who was most widely known for her role as a witch on the WB show “Charmed,” had recently developed a massive following as a fiery feminist on Twitter, but she was now, at 44, a multimedia artist, no longer acting, her funds depleted by health care costs for her father, who died eight years ago.

“I had all these people I’m paying telling me to take it so that I could fund my art,” Ms. McGowan said in an interview. She responded by asking for $6 million, part counteroffer, part slow torture of her former tormentor, she said. “I figured I could probably have gotten him up to three,” she said. “But I was like — ew, gross, you’re disgusting, I don’t want your money, that would make me feel disgusting.”

She said she told her lawyer to pull the offer within a day of The New York Times publishing an article that detailed decades of Mr. Weinstein’s alleged sexual harassment, aggression and misconduct toward women, as well as at least seven other settlements he had reached with accusers. After that, the dam burst, with The New Yorker, The Times and other news outlets reporting on dozens of other women’s experiences with Mr. Weinstein.

Mr. Weinstein, his accusers say, built his long history of abusing women on a risky gamble that worked for him over and over — the assumption that money or threats could buy women’s silence on a subject so intimate and painful that most would prefer not to go public anyway. While Ms. McGowan was the rare voice suggesting that the cover-up was not fail-safe, even she considered not naming him, having already, she believes, paid a career price for that long-ago episode and its aftermath.

A Weinstein spokeswoman, Sallie Hofmeister, said that “Mr. Weinstein unequivocally denies any allegations of nonconsensual sex.” Ms. McGowan’s lawyer, Paul Coggins, confirmed that Ms. McGowan received the offer.

By 2015, Ms. McGowan, who felt alienated by the industry, started using her sizable platform on Twitter to maximize her status as both insider and outsider — someone with enough Hollywood experience to speak with authority about sexism within it, and someone liberated enough from its compromises to unleash the fury in her that had been building for years. Only now does the scope of the news about Mr. Weinstein — and the public conversation about what’s wrong with Hollywood — seem to match the scale of her outrage, giving her the clout of a contrarian at last proven right.

On Friday, at the inaugural Women’s Convention in Detroit, she was a featured speaker — a new, combative face of feminism, endowed with Hollywood charisma yet anything but slick. “I have been silenced for 20 years,” she told the gathering. “I have been slut-shamed. I have been harassed. I have been maligned. And you know what? I’m just like you.”
More.


Monday, October 23, 2017

How Harvey Weinstein Built Pipeline of Access to the World's Beautiful Women

A guide to the super-predator's methods, at LAT, "How Harvey Weinstein used his fashion business as a pipeline to models":
It was the kind of evening Zoë Brock was accustomed to, an intimate dinner party at an Art Deco hotel on a waterfront avenue in Cannes. The Australian model was ushered to an empty seat at a long table on a lush patio overlooking a swimming pool.

She didn’t recognize the man seated next to her, but would quickly find out he was Harvey Weinstein, a brusque American producer in town for the film festival.

That first encounter of champagne and small talk would end in a much less elegant fashion hours later in a hotel room, where Weinstein stood before Brock naked and solicited a massage. She said she locked herself in a bathroom to escape him.

Still shaken by that night in 1998, Brock believes the events were set in motion by men connected to Weinstein.

"Someone put me there next to him — that was on purpose. I am pretty sure that there are a lot of people that would like to sit next to Harvey Weinstein,” said Brock, 43, who was represented by a Milanese modeling agency at the time. “So why was it me?"

Weinstein, 65, is best known for his pioneering career in the independent film industry, but over the last two decades he has also carved out a significant business in fashion — executive producing the television show "Project Runway," investing in the clothing brand Halston, and backing the high-end womenswear company Marchesa, which was co-founded by his wife, former model Georgina Chapman. The foray generated a profitable TV franchise, lucrative partnerships and cachet among the global jet set.

But that success was only one of the benefits for Weinstein. In interviews with the Los Angeles Times, nearly a dozen people with ties to the industry — including models, casting directors, publicists and executives connected to "Project Runway" — said that he used fashion as a pipeline to women. They said that models, oftentimes young and working overseas far from home, were particularly vulnerable.

In addition to Brock, more than 10 other former or current fashion models — including Cara Delevingne and Angie Everhart — have accused Weinstein of a wide range of sexual misconduct.

In a previously unreported incident, former Brazilian model Juliana De Paula told The Times that Weinstein groped her and forced her to kiss other models that he had taken to his loft in New York a decade ago. When she tried to leave, she said, he chased her through the apartment, naked. She fended him off with a broken glass.

“He looked at me and he started to laugh,” she recalled. “I was shocked. I was completely in disbelief.”

Another model, Samantha Panagrosso, said Weinstein made unwanted sexual advances toward her during the Cannes Film Festival in 2003. When Weinstein began touching her legs under the water at a hotel pool and she rebuffed him, he pointed at another model, she recalled in an interview with The Times. “Look at her, I’m going to have her come to my room for a screen test,” she said Weinstein told her.

When Panagrosso told friends about his continuing advances, she said, they laughed it off: “Sam, don’t be so naïve, you know Harvey can make you a star.”

Since the New York Times and the New Yorker first wrote about Weinstein’s alleged assaults earlier this month, more than 50 women have come forward to describe their experiences, and he has been fired by Weinstein Co., the indie studio he co-founded in 2005 that has released films including “The King’s Speech.”

Six women have accused Weinstein of rape or forcible sex acts, and he is under investigation for sexual assault in Los Angeles, New York and London...
Well, Weinstein's apparently "cured" after one week of "sex-addiction" therapy, so this is all water under the bridge now, right? [Snark.]

More, in any case.

Wednesday, October 18, 2017

Epidemic of Sexual Harassment at California State Capitol

More from the Democrat Party's rape culture, at LAT, "'pervasive' harassment in California's Capitol".


Molly Ringwald Speaks Out

At the New Yorker, which must be seeing a boom in traffic of late:


Monday, October 16, 2017

Harvey Weinstein's Contract Allowed Sexual Harassment

At Hot Air, "Pay to Prey: Weinstein’s Contract Basically Allowed for Sexual Harassment — So Long As He Paid the Company":
Even if you’re not a legal eagle, you may at some point in your life have encountered the term “moral turpitude” when signing a contract. Employers will sometimes stick that phrase into the section dealing with termination for cause, for understandable reasons. The idea is that if you do something morally egregious, something that offends the sensibilities of the organization or brings it into public disrepute, you can be canned summarily. Your boss is under no obligation to keep an embarrassing degenerate on the payroll.

A moral turpitude clause would have come in handy for Harvey Weinstein considering that, if his accusers are to be believed, he’s been harassing, intimidating, groping, extorting, and raping women for, oh, 20-25 years now. And yet, according to TMZ, no such clause was to be found in his contract with the Weinstein Company. On the contrary, Big Harv had an unusual twist on the traditional moral turpitude provision in his agreement. If he was accused of “misconduct” and ended up settling with his accuser, he had to reimburse the company for any legal expenses it incurred in the process — and then he had to pay them a fine. Of up to a million dollars.

These sick bastards actually profited from Weinstein paying hush money to his victims.
According to the contract, if Weinstein “treated someone improperly in violation of the company’s Code of Conduct,” he must reimburse TWC for settlements or judgments. Additionally, “You [Weinstein] will pay the company liquidated damages of $250,000 for the first such instance, $500,000 for the second such instance, $750,000 for the third such instance, and $1,000,000 for each additional instance.”

The contract says as long as Weinstein pays, it constitutes a “cure” for the misconduct and no further action can be taken. Translation — Weinstein could be sued over and over and as long as he wrote a check, he keeps his job...
More.

Wednesday, October 11, 2017

Tuesday, October 10, 2017

Mira Sorvino, Rosanna Arquette, and Asia Argento Share Their Accounts of Harvey Weinstein's Sexual Assault and Harassment

It's from Ronan Farrow, at the New Yorker. He's leftist. The New Yorker's leftist. I don't like them. But this story is irresistible, and it's leftist outlets leading the charge against Democrat/Hollywood hypocrisy. It's pretty amazing.

Safe link, "From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories":

Since the establishment of the first studios a century ago, there have been few movie executives as dominant, or as domineering, as Harvey Weinstein. As the co-founder of the production-and-distribution companies Miramax and the Weinstein Company, he helped to reinvent the model for independent films, with movies such as “Sex, Lies, and Videotape,” “The English Patient,” “Pulp Fiction,” “The Crying Game,” “Shakespeare in Love,” and “The King’s Speech.” Beyond Hollywood, he has exercised his influence as a prolific fund-raiser for Democratic Party candidates, including Barack Obama and Hillary Clinton. Weinstein combined a keen eye for promising scripts, directors, and actors with a bullying, even threatening, style of doing business, inspiring both fear and gratitude. His movies have earned more than three hundred Oscar nominations, and, at the annual awards ceremonies, he has been thanked more than almost anyone else in movie history, just after Steven Spielberg and right before God.

For more than twenty years, Weinstein has also been trailed by rumors of sexual harassment and assault. This has been an open secret to many in Hollywood and beyond, but previous attempts by many publications, including The New Yorker, to investigate and publish the story over the years fell short of the demands of journalistic evidence. Too few people were willing to speak, much less allow a reporter to use their names, and Weinstein and his associates used nondisclosure agreements, monetary payoffs, and legal threats to suppress these myriad stories. Asia Argento, an Italian film actress and director, told me that she did not speak out until now—Weinstein, she told me, forcibly performed oral sex on her—because she feared that Weinstein would “crush” her. “I know he has crushed a lot of people before,” Argento said. “That’s why this story—in my case, it’s twenty years old; some of them are older—has never come out.”

Last week, the New York Times, in a powerful report by Jodi Kantor and Megan Twohey, revealed multiple allegations of sexual harassment against Weinstein, a story that led to the resignation of four members of his company’s all-male board, and to Weinstein’s firing from the company.

The story, however, is more complex, and there is more to know and to understand. In the course of a ten-month investigation, I was told by thirteen women that, between the nineteen-nineties and 2015, Weinstein sexually harassed or assaulted them, allegations that corroborate and overlap with the Times’ revelations, and also include far more serious claims.

Three women—among them Argento and a former aspiring actress named Lucia Evans—told me that Weinstein raped them, allegations that include Weinstein forcibly performing or receiving oral sex and forcing vaginal sex. Four women said that they experienced unwanted touching that could be classified as an assault. In an audio recording captured during a New York Police Department sting operation in 2015 and made public here for the first time, Weinstein admits to groping a Filipina-Italian model named Ambra Battilana Gutierrez, describing it as behavior he is “used to.” Four of the women I interviewed cited encounters in which Weinstein exposed himself or masturbated in front of them.

Sixteen former and current executives and assistants at Weinstein’s companies told me that they witnessed or had knowledge of unwanted sexual advances and touching at events associated with Weinstein’s films and in the workplace. They and others describe a pattern of professional meetings that were little more than thin pretexts for sexual advances on young actresses and models. All sixteen said that the behavior was widely known within both Miramax and the Weinstein Company. Messages sent by Irwin Reiter, a senior company executive, to Emily Nestor, one of the women who alleged that she was harassed at the company, described the “mistreatment of women” as a serial problem that the Weinstein Company was struggling with in recent years. Other employees described what was, in essence, a culture of complicity at Weinstein’s places of business, with numerous people throughout the companies fully aware of his behavior but either abetting it or looking the other way. Some employees said that they were enlisted in subterfuge to make the victims feel safe. A female executive with the company described how Weinstein assistants and others served as a “honeypot”—they would initially join a meeting, but then Weinstein would dismiss them, leaving him alone with the woman.

Virtually all of the people I spoke with told me that they were frightened of retaliation. “If Harvey were to discover my identity, I’m worried that he could ruin my life,” one former employee told me. Many said that they had seen Weinstein’s associates confront and intimidate those who crossed him, and feared that they would be similarly targeted. Four actresses, including Mira Sorvino and Rosanna Arquette, told me they suspected that, after they rejected Weinstein’s advances or complained about them to company representatives, Weinstein had them removed from projects or dissuaded people from hiring them. Multiple sources said that Weinstein frequently bragged about planting items in media outlets about those who spoke against him; these sources feared that they might be similarly targeted. Several pointed to Gutierrez’s case, in 2015: after she went to the police, negative items discussing her sexual history and impugning her credibility began rapidly appearing in New York gossip pages. (In the taped conversation with Gutierrez, Weinstein asks her to join him for “five minutes,” and warns, “Don’t ruin your friendship with me for five minutes.”)

Several former employees told me that they were speaking about Weinstein’s alleged behavior now because they hoped to protect women in the future. “This wasn’t a one-off. This wasn’t a period of time,” an executive who worked for Weinstein for many years told me. “This was ongoing predatory behavior towards women—whether they consented or not.”

It’s likely that women have recently felt increasingly emboldened to talk about their experiences because of the way the world has changed regarding issues of sex and power. These disclosures follow in the wake of stories alleging sexual misconduct by public figures, including Bill O’Reilly, Roger Ailes, Bill Cosby, and Donald Trump. In October, 2016, a month before the election, a tape emerged of Trump telling a celebrity-news reporter, “And when you’re a star, they let you do it. You can do anything. . . . Grab ’em by the pussy. You can do anything.” This past April, O’Reilly, a host at Fox News, was forced to resign after Fox was discovered to have paid five women millions of dollars in exchange for silence about their accusations of sexual harassment. Ailes, the former head of Fox News, resigned last July, after he was accused of sexual harassment. Cosby went on trial this summer, charged with drugging and sexually assaulting a woman. The trial ended with a hung jury.

On October 5th, in an initial effort at damage control, Weinstein responded to the Times piece by issuing a statement partly acknowledging what he had done, saying, “I appreciate the way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it.” In an interview with the New York Post, he said, “I’ve got to deal with my personality, I’ve got to work on my temper, I have got to dig deep. I know a lot of people would like me to go into a facility, and I may well just do that—I will go anywhere I can learn more about myself.” Weinstein went on, “In the past I used to compliment people, and some took it as me being sexual, I won’t do that again.” In his statement to the Times, Weinstein claimed that he would “channel that anger” into a fight against the leadership of the National Rifle Association. He also said that it was not “coincidental” that he was organizing a foundation for women directors at the University of Southern California. “It will be named after my mom and I won’t disappoint her.”
Sallie Hofmeister, a spokesperson for Weinstein, issued a statement in response to the allegations in this article. It reads in full: “Any allegations of non-consensual sex are unequivocally denied by Mr. Weinstein. Mr. Weinstein has further confirmed that there were never any acts of retaliation against any women for refusing his advances. Mr. Weinstein obviously can’t speak to anonymous allegations, but with respect to any women who have made allegations on the record, Mr. Weinstein believes that all of these relationships were consensual. Mr. Weinstein has begun counseling, has listened to the community and is pursuing a better path. Mr. Weinstein is hoping that, if he makes enough progress, he will be given a second chance.”

While Weinstein and his representatives have said that the incidents were consensual, and were not widespread or severe, the women I spoke to tell a very different story.
Keep reading.

Monday, October 9, 2017

Chelsea Clinton Weighs In on Harvey Weinstein

At Twitchy, "Chelsea Clinton gets TORCHED after sharing thread criticizing politicization of Harvey Weinstein."

She tweeted leftist asshat Jedd Legum, of Think Progress infamy. Those people are the biggest assholes over there, and Chelsea's a bleedin' idiot.


Saturday, October 7, 2017

Harvey Weinstein: Clinton Friend, Fundraiser, Sexist Pig

Following-up, "Harvey Weinstein Exposes Hollywood's Double-Standards."

Here's Melissa Mackenzie, at the American Spectator:

A great moment in Sleazeland.

Harvey Weinstein sexually harassed women for decades.  The women in Hollywood remained silent for decades.  Hillary Clinton took Weinstein money for decades. It was an open secret said one Hollywood insider anonymously.

Weinstein’s lawyer and counselor is Lisa Bloom, Gloria Allred’s daugher. Lisa Bloom represents women’s rights unless she’s being paid gobs of money by Hollywood bigwig pigs like Harvey Weinstein. Then, her sensibilities lean to the crassly money and power side. In this way, she’s a lot like feminist hero Hillary Clinton. Hillary Clinton, the recipient of Harvey Weinstein’s largesse, found that her grabby hand’s nerves fired more quickly than her crawling skin nerves. Funny how that happens to feminists.

Speaking of feminists. Where was Ashley Judd when Harvey Weinstein feted Her Royal Highness Hillary? Why did Judd remain quiet when the serial abuser Weinstein paid big money to be for Her?

All this is not to absolve Harvey Weinstein or to say he isn’t awful, because based on many reports, wow, is he ever.  To get a solid feel for how disgusting Mr. Weinstein is, one need only read his own comments about Ashley Judd. Aren’t women always to be believed? From the New York Post:

Weinstein continued, “But she changed her story when giving it to the Times. I know Ashley Judd is going through a tough time right now, I read her book [her memoir “All That Is Bitter and Sweet”], in which she talks about being the victim of sexual abuse and depression as a child. Her life story was brutal, and I have to respect her. In a year from now I am going to reach out to her.”

He also insisted of Judd, “I never laid a glove on her. After this supposed incident, which she says was in 1997 while filming ‘Kiss The Girls,’ I took her to an Academy Award party where we were photographed smiling. She claimed to the Times she never worked with me again. She did two movies with me — ‘Frida’, which came out in 2002, and ‘Crossing Over’ with Harrison Ford, released in 2009.”

And when asked about the Times reporting that he has reached at least eight settlements with women, including a young assistant in New York in 1990, actress Rose McGowan, an assistant in London in 1998, an Italian model in 2015 and O’Connor, he told The Post, “No company ever talks about settlements, and neither does the recipient, so I don’t know how the Times came to this conclusion, but it is pure conjecture, the reporters have made assumptions.”

Weinstein plans to sue the New York Times for $50 million even as he’s taking a break to get therapy because of his unspecified problem.

Here’s Weinstein’s full statement emphasis added with some comments in italics.
I came of age in the 60’s and 70’s, when all the rules about behavior and workplaces were different. [Really? There was a time when it was okay to take showers naked in front of subordinates and then ask them to massage you?] That was the culture then.

I have since learned it’s not an excuse, in the office — or out of it. To anyone.

I realized some time ago that I needed to be a better person  [this is a laugh line] and my interactions with the people I work with have changed.

I appreciate the way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it.

Though I’m trying to do better, I know I have a long way to go. That is my commitment.

My journey now will be to learn about myself and conquer my demons. Over the last year I’ve asked Lisa Bloom to tutor me and she’s put together a team of people. I’ve brought on therapists and I plan to take a leave of absence from my company and to deal with this issue head on. I so respect all women [hahahahaha] and regret what happened [translation: I regret getting caught]. I hope that my actions will speak louder than words and that one day we will all be able to earn their trust and sit down together with Lisa to learn more. Jay Z wrote in 4:44 “I’m not the man I thought I was and I better be that man for my children.” The same is true for me. [So Weinstein is making reference to Jay Z who cheated on Beyoncé and is doing okay and hopes he’ll come out of this unscathed as well?] I want a second chance in the community [Translation: I want to be let off the hook like Woody Allen and Roman Polanski] but I know I’ve got work to do to earn it. I have goals that are now priorities. Trust me, this isn’t an overnight process. I’ve been trying to do this for 10 years and this is a wake-up call. I cannot be more remorseful about the people I hurt and I plan to do right by all of them.

I am going to need a place to channel that anger so I’ve decided that I’m going to give the NRA my full attention. I hope Wayne LaPierre will enjoy his retirement party. [This is disgusting. To deflect away from his bad behavior, he’s attempting to rope in ideological enemies. He’s saying: Remember who the real bad guy is here.] I’m going to do it at the same place I had my Bar Mitzvah. I’m making a movie about our President, perhaps we can make it a joint retirement party. [Translation: I’m shifting the blame to a common enemy and I’m pissed off that the President still has a job and I might lose mine.] One year ago, I began organizing a $5 million foundation to give scholarships to women directors at USC. While this might seem coincidental, it has been in the works for a year. It will be named after my mom and I won’t disappoint her. [Translation: Even though I’ve used women as objects, I’m still pro-women. See? I’m a good guy.]
A simpler statement would have been, “SORRY, NOT SORRY!”

Twitter response encapsulates Weinstein’s weasel statement...
More.

Harvey Weinstein Exposes Hollywood's Double-Standards

I'm actually surprised this got published at the Los Angeles Times, a newspaper for the Hollywood elite. But it's a good piece.

See, "Weinstein sexual harassment controversy exposes Hollywood's double standard":

When the infamous “Access Hollywood” tape leaked one year ago, capturing then-candidate, now-President Trump bragging in coarse terms in 2005 about being allowed to grab women because he was a celebrity, Hollywood had a meltdown.

Cher called Trump a “scumbag carny barker" on Twitter. Comedian Patton Oswalt labeled him a “sexist creep.” Actress Emmy Rossum wrote: “misogynistic entitled pig.”

This week, amid revelations that Oscar-winning movie and television producer Harvey Weinstein had a long history of sexually harassing women, Hollywood’s response was largely muted. Film studios on Friday all declined to comment.

“Yup. Hollywood shines light on Catholic Church, sex trafficking — let's shine it on ourselves a second and what we've condoned,” actress-writer-producer Lena Dunham wrote on Twitter, one of the few celebrities who took a public stand.

Hollywood has a poor track record when it comes to women. Actresses received just 31.4% of speaking roles in the top 100 films released last year, according to the Media, Diversity and Social Change Initiative at USC Annenberg’s School for Communication and Journalism. The “sexy stereotype” persisted with more than a quarter of females in those films wearing sexy attire, compared with 5.7% of men. In 2015, the federal Equal Employment Opportunity Commission opened an investigation into allegedly discriminatory hiring practices against female directors.

“Hollywood likes to project an image of being progressive about issues of race, gender and social issues — but at the end of the day it is an incredibly regressive industry,” said Caroline Heldman, a college professor who has worked with alleged victims of Bill Cosby and Weinstein. “It is an industry that, in many ways, looks more like the 1950s.”

Weinstein, who has taken a leave of absence from his company, attributed his alleged conduct to coming of age “in the ‘60s and 70s, when all of the rules about behavior and workplaces were different.” On Friday, his company’s board said it was investigating the allegations.

The New York Times reported that at least eight settlements had been paid to woman who disclosed allegations of sexual harassment to Weinstein Co. or Miramax, the studio that Weinstein and his brother Bob built into a cultural juggernaut with such independent films such as “Pulp Fiction,” “Shakespeare in Love,” and “Chicago.” Weinstein, while on trips to Los Angeles and London, would summon young actresses or assistants to his hotel room, where he would request massages or invite women to watch him shower, the paper said.

Hollywood has long been tarnished with allegations of sexual harassment, dating to the silent film era when actor Roscoe Conkling “Fatty” Arbuckle faced charges in the rape and death of an actress. (Arbuckle was acquitted.) Other prominent stars and directors including Alfred Hitchcock, Marlon Brando and Arnold Schwarzenegger have been accused of inappropriate behavior.

Allegations of sexual misconduct have toppled other media figures, including Fox News architect Roger Ailes and host Bill O’Reilly, and Epic Records Chief Executive L.A. Reid. Scandals have also rocked beloved indie-film institutions, including L.A.’s nonprofit theater Cinefamily (where two leaders recently resigned) and indie-theater chain Alamo Drafthouse. All have denied wrongdoing.

Instead of expressing shock or even dismay, Hollywood insiders acknowledged that Weinstein’s behavior was an “open secret,” the fodder of gossip for decades.

Weinstein’s alleged behavior may have been enabled by Hollywood’s sometimes toxic workplace culture, which often tolerates — and in some cases, glorifies — an array of inappropriate, exploitative conduct. For lowly assistants hungry to get a foot in the door, long hours, demeaning job duties and the occasional cellphone-hurling boss are considered part of the job.

Being “volatile” or “hard-charging” can be a badge of honor, epitomized in such characters as Ari Gold, the rage-prone super-agent in the HBO series “Entourage.” The character was based on Ari Emanuel, now co-chief executive of one of the biggest talent agencies, William Morris Endeavor (and a Democratic fundraiser).

The sordid allegations against Weinstein put Hollywood and Democrats in an awkward spot.

Over the years, Weinstein has given generously to Democrats and liberal causes, contributing more than $600,000 to Democratic politicians and groups, according to federal records. He donated tens of thousands of dollars to the presidential campaigns of Hillary Clinton and Barack Obama.

Obama’s oldest daughter, Malia, worked as an intern for Weinstein Co. in New York last summer prior to enrolling at Harvard University. Weinstein also has contributed to the Clinton Foundation, whose website states that the producer provided well over $100,000 as of June.

Known as a “bundler,” Weinstein also used his vast connections to organize and collect checks from a wide swathe of donors. The mogul threw glamorous fundraisers for Clinton that raised millions for her presidential campaign and were attended by A-list celebrities including Leonardo DiCaprio and Jennifer Lopez. One of the fundraisers was a Broadway musical concert last October that featured “Hamilton” composer Lin-Manuel Miranda.

Weinstein, in his statement, noted that last year he began organizing a $5-million foundation at USC to provide scholarships to women who want to direct films.

Conservatives, who have spent years chafing when Hollywood celebrities moralized about social causes, had a field day over the Weinstein scandal. “Waiting on the professional ‘pro-women’ outrage machine...Sexual Harassment Accusations Against Harvey Weinstein,” Trump advisor Kellyanne Conway wrote Friday morning on Twitter.

Others jumped on the details of Weinstein’s alleged behavior as evidence that the entertainment industry has a double standard when it comes to sexual harassment...
Still more.

Friday, September 29, 2017

'Matilda' Ignites Violent Protests from Russia's Religious Right

At LAT, "A movie about a czar's love affair ignites violent protest from Russia's religious right":
Polish actress Michalina Olszanska plays the role of Matilda Kshesinskaya, a young ballerina in a love affair with future Czar Nicholas II, in Russian director Alexei Uchitel's movie "Matilda."

Sunday, September 24, 2017

Ana de Armas for Vogue Magazine Spain October 2017

She'll star in "Blade Runner 2049."

And at Vogue Spain, via Egotastic!, "Ana De Armas Sexy for Vogue Magazine Spain October 2017."



Sunday, August 13, 2017

The South's Hollywood Resurgence

Well, this isn't what you'd expect from the far-left Los Angeles Times: an amazingly sympathetic and refreshing piece on the comeback of the good old boys in Hollywood.

Check it out, "The high jinks and despair of the Southern man from 'Smokey and the Bandit' to the new 'Logan Lucky'":

The country was two years out of Vietnam and still bruised by Watergate when a wise guy in a Pontiac Trans Am roared through a movie that celebrated and poked fun at Southern culture with the affable charm of a moonshiner whispering tall tales in a roadhouse on a humid night.

“Smokey and the Bandit” is 40 years old, a raucous good ol’ boy tale that made Burt Reynolds a brand and left the screen crackling with country music, CB radios, car chases and the irascible and out-foxed Sheriff Buford T. Justice, played with gun-toting aplomb by Jackie Gleason. The movie is the South winking at itself, playing stereotypes for humor and laughing along at caricatures. It was a blockbuster.

It arrived as America was drifting from the turbulence of the ’60s and into the shaken aftermath of a misbegotten war in Southeast Asia and the disgrace of President Nixon’s resignation. “Smokey” was a salve, a lightweight rush of steel, beer and corny one-liners that epitomized an escapist (some would argue vacuous) pop culture as it raced through a land that flew the Rebel flag and strummed tunes of Dixie.

That folksy if simplistic notion drove other films and TV shows, including “The Dukes of Hazzard,” but Hollywood’s light-heartedness often belied the South’s deeper conflicts and scars over racism and civil rights in an often brutal history. That vexed legacy has been roused in the recent backlash over HBO’s “Confederate,” a proposed alternative history series that reimagines the South seceded from the North during the Civil War and continues to practice slavery today.

The cultural battleground the South has become also complicated portrayals of white working-class men who felt isolated and disenfranchised at a time of shifting demographics and technologically driven job markets. The country, many of them felt, was slipping beyond them, misunderstanding their pride and insecurities while turning them into punchlines and cautionary tales. Reynolds, who grew up in Florida, said he was long disturbed by films that mischaracterized the South.“Lots of movies ridiculed Southerners, and I resented them,” Reynolds, 81, wrote in his 2015 memoir “But Enough About Me.” “I wanted to play a Southern hero, a guy who was proud of being from the South. … Most of those folks are middle-of-the-road, not left or right. They believe in God, they work hard, and they love their country. They’re the people I grew up with, and I like them.”

He continued: “But Billy Bob Thornton had the last word. ‘You know,’ he said, ‘down South, we consider “Smokey and the Bandit” a documentary.’”
RTWT.