Todd Shepard, The Invention of Decolonization

This looks excellent.

Todd Shepard, The Invention of Decolonization: The Algerian War and the Remaking of France.

BONUS: Alistair Horne, A Savage War of Peace: Algeria 1954-1962.

'The Battle of Algiers' — It's Excellent

I took my older son with me yesterday. He loves hanging out in L.A.

Here're my earlier posts, "Going to See 'The Battle of Algiers' Today," and "At the Nuart Theatre in Los Angeles: 'The Battle of Algiers' — 50TH ANNIVERSARY NEW 4K RESTORATION (VIDEO)."

I remember from years ago, although I can't remember where (probably the LGM homos), how leftists praised "Battle of Algiers" as THE cinematic exegesis of the revolutionary experience. It was the radical left's "in" movie.

And I can see why. It's practically a do-it-yourself instructional video on how to mount an insurgency against the hegemonic colonial capitalist ruling classes.

See for example the review, at A.V. Club, from 2004 (when he movie came out on DVD):

In the current political climate, between the war in Iraq and the looming election, topical documentaries and fiction features have flooded the marketplace. But none are more relevant to the times than Gillo Pontecorvo's masterpiece The Battle Of Algiers, which was made nearly four decades ago. Throughout the years, the film has been tagged as a terrorist textbook, an inspiration for the Black Panthers and other radical organizations, yet its startling verity has recently proved useful for Pentagon officials eager to understand how networks like al-Qaeda operate. Still smarting from their moral and tactical failures in colonial Algeria, the French banned the 1965 film for several years, and some countries excised scenes revealing the systemic torture of National Liberation Front (FLN) operatives. But even though The Battle Of Algiers ranks among the great works of revolutionary cinema, Pontecorvo depicts insurgent warfare with a stark, evenhanded realism that feels like history painted on the screen. In fact, many prints actually come with the disclaimer that the film doesn't include a single frame of documentary or newsreel footage. And that's not a boast: It really does seem that real.

 Plus, I missed this earlier, at the New York Times from 1967, "MOVIE REVIEW - Screen: Local Premiere of Pontecorvo's Prize-Winning 'Battle of Algiers': Gripping Re-enactment Opens Film Festival."

And here's a good piece on the conflict altogether, at the World Socialist Web, "Torture in the Algerian war (1954-62)."

More here, from an interesting blog post by a leftist academic, "What was the Algerian War/Why should you care."

Related: James D. Le Sueur, Uncivil War: Intellectuals and Identity Politics During the Decolonization of Algeria. And, General Paul Aussaresses, The Battle of the Casbah: Terrorism and Counter-terrorism in Algeria, 1955-1957.

Going to See 'The Battle of Algiers' Today

"The Battle of Algiers" opens today at the Nuart Theater in West L.A.

I blogged the press release a few weeks ago, "At the Nuart Theatre in Los Angeles: 'The Battle of Algiers' — 50TH ANNIVERSARY NEW 4K RESTORATION (VIDEO)."

The L.A. Times posted a write-up, "Once banned, 'Battle of Algiers'' smart, compassionate take on terror and rebellion resonates today."

And here's one from 1993, "'Battle of Algiers' Captures Emotions in Both Camps."

Years ago, when I was an undergrad at Fresno State taking a course on modern France, I read John Talbott's, The War Without a Name: France in Algeria, 1954 - 1962. What I remember most about the book is how much the conflict roiled French society, and how the French military attempted a coup d'etat that led eventually to Charles de Gaulle's return to power with extraordinary constitutional authority under a new regime, the Fifth French Republic. So, it'll be interesting to see "The Battle of Algiers," particularly from the point of view of the revolutionaries who changed the world.

See also, Alistair Horne, A Savage War of Peace: Algeria 1954-1962.

At the Nuart Theatre in Los Angeles: 'The Battle of Algiers' — 50TH ANNIVERSARY NEW 4K RESTORATION (VIDEO)

The film's coming to the Nuart in West L.A. on October 7th. Sounds like something I'd like to attend. We'll see.

In any case, here's the trailer, "The Battle of Algiers."

A history of the three-year Battle of Algiers, chronicling the escalating terrorism and violence between French military forces and the Algerian independence movement, based on the memoirs of Saadi Yacef, a leader of the National Liberation Front. The 50th anniversary restoration opens October 7 at New York's Film Forum, Landmark's Nuart Theatre in Los Angeles, and Landmark's E Street Cinema in Washington, D.C.

*****

THE BATTLE OF ALGIERS (1966), Italian director Gillo Pontecorvo’s legendary re-telling of the struggle for Algerian independence from France, on the 50th anniversary of its release, will run at Film Forum in New York in a new 4K restoration from Friday, October 7 through Thursday, October 13.

THE BATTLE OF ALGIERS is also a selection of the NEW YORK FILM FESTIVAL 2016 and will be released theatrically by Rialto Pictures on October 7 at New York’s Film Forum, Landmark’s Nuart in Los Angeles and E Street Cinema in Washington, D.C., followed by a major city roll-out through the fall.

Algiers, 1957: French paratroopers inch their way through the labyrinthine byways of the Casbah to zero in on the hideout of the last rebel still free in the city. Flashback three years earlier, as the Algerian National Liberation Front (FLN) decides on urban warfare. Thus begin the provocations, assassinations, hair-breadth escapes, and reprisals; Algerian women — disguised as chic Europeans — depositing bombs at a sidewalk café, a teenagers’ hang-out and an Air France office; and massive, surging crowd scenes unfolding with gripping realism.

Shot in the streets of Algiers, The Battle of Algiers vividly re-creates the tumultuous uprising against the occupying French in the 1950s. As the violence escalates on both sides, the French torture prisoners for information and the Algerians resort to terrorism in their quest for independence.

Battle’s startling relevance to today’s world events motivated the Pentagon to hold a much-discussed private screening for military personnel shortly after the invasion of Iraq in 2003. A flyer advertising the screening stated, "How to win a battle against terrorism and lose the war of ideas. Children shoot soldiers at point-blank range. Women plant bombs in cafés. Soon the entire Arab population builds to a mad fervor. Sound familiar?"

One of the most influential films in the history of political cinema, Battle of Algiers won the Grand Prize at the Venice Film Festival in 1966, was nominated for three Academy Awards (Best Foreign Film, Best Director and Best Story and Screenplay), and was ranked as the 26 greatest film of all time in the 2012 Sight and Sound directors’ poll (it was also in the critics’ top 50), though it was long banned in France for its negative depiction of French colonialism.

With the exception of actor Jean Martin, as the French colonel brought in to quell the uprising, the cast is comprised mainly of non-professional actors who’d been involved in the Algerian struggle. Saadi Yacef, who produced Algiers, also stars as one of the leaders of the insurrection – a role he played in life as a general in the National Liberation Front. Yacef wrote the original treatment for the film – adapted from his book Souvenirs de la bataille d’Alger – in jail after he was captured by the French.

The stirring score is by Pontecorvo and the great Ennio Morricone.

Restored by Cineteca di Bologna and Istituto Luce - Cinecittà at L'Immagine Ritrovata laboratory, in collaboration with Surf Film, Casbah Entertainment Inc. and CultFilms

Approx. 121 min. | A Rialto Pictures Release

Director: Gillo Pontecorvo | Screenplay: Franco Solinas,

Based on the book by Saadi Yacef | Cinematography: Marcello Gatti

Music: Gillo Pontecorvo & Ennio Morricone