At LAT:
The push for single-payer healthcare just went national. What does that mean for the California effort? https://t.co/IzhfGCLq2X pic.twitter.com/XMduqLGCkW
— Los Angeles Times (@latimes) September 22, 2017
Commentary and analysis on American politics, culture, and national identity, U.S. foreign policy and international relations, and the state of education - from a neoconservative perspective! - Keeping an eye on the communist-left so you don't have to!
The push for single-payer healthcare just went national. What does that mean for the California effort? https://t.co/IzhfGCLq2X pic.twitter.com/XMduqLGCkW
— Los Angeles Times (@latimes) September 22, 2017
This week's @TIME cover: A divided Democratic party debates its future https://t.co/qNeN9ZfPQw via @Philip_Elliott pic.twitter.com/jJbVIEMHM6
— TIMEPolitics (@TIMEPolitics) September 21, 2017
Demi Rose Mawby drops jaws while displaying her bombshell curves during sexy Ibiza bikini shoot https://t.co/DxobxGaiOX
— Daily Mail Celebrity (@DailyMailCeleb) September 20, 2017
TOPLESS Demi Rose covers her ample bosom with her hands as she poses for photoshoot in Ibiza https://t.co/RVWxbDeGUm
— Daily Mail Celebrity (@DailyMailCeleb) September 22, 2017
Get intimate with our girl @Lalaribeiro16... 👀 https://t.co/WF7Qr3YuH2 pic.twitter.com/YgqAIu2GwY
— SI Swimsuit (@SI_Swimsuit) September 17, 2017
OK folks, look, I messed up. I skimmed this piece, zeroed in on the neocon criticism, and shared it without seeing and considering the rest.
— Valerie Plame Wilson (@ValeriePlame) September 21, 2017
I’m not perfect and make mistakes. This was a doozy. All I can do is admit them, try to be better, and read more thoroughly next time. Ugh.
— Valerie Plame Wilson (@ValeriePlame) September 21, 2017
Apologies all. There is so much there that’s problematic AF and I should have recognized it sooner. Thank you for pushing me to look again.
— Valerie Plame Wilson (@ValeriePlame) September 21, 2017
I missed gross undercurrents to this article & didn’t do my homework on the platform this piece came from. Now that I see it, it’s obvious.
— Valerie Plame Wilson (@ValeriePlame) September 21, 2017
Keep reading (FWIW).
The writer is Alexandra Fuller, and from this jolt of recognition she fashioned “Quiet Until the Thaw,” a novel that dives deep into Lakota culture and history. An author of six books of nonfiction who made her name with a searing memoir of her African childhood, Fuller is here a careful inventor: Many of the events she describes, at least one of her central characters and more than a few snippets of dialogue are rooted in fact. The novel is peppered with Lakota words, not all of them easily translatable, and the story she recounts, of a pair of Oglala boys whose lives on the reservation become fatefully entwined, is an impassioned allegory of the long-suffering Lakota people. More subtly, it’s an awed meditation on the lofty conundrums of time and being, and on the ways oppression seeks to blind us to the fundamental interconnectedness of things. Fuller’s novel is like a delicately calibrated tuning fork, resonating at a cosmic pitch.
That she wrests such sweep from a couple of hundred odd pages is itself a bit awe-inspiring. Like Rick Overlooking Horse, one of the two Oglala boys, who speaks only when necessary — by the time he turns 10, “he had uttered, all told, about enough words to fill a pamphlet from the Rezurrection Ministry outfit based out of Dallas, Tex.” — Fuller is terse. She doesn’t narrate so much as poetically distill, into chapters seldom more than a page and a half long, the beauty, violence, poverty, humiliation and resilience that have marked Lakota existence for several hundred years. In one, a young tribal activist travels to Palestine, where she dines on camel with Yasir Arafat and speaks at an event honoring leaders of indigenous groups. “They can rewrite history, and erase our stories. But what my mind hasn’t been allowed to know, my body has always known,” the activist tells her audience. “I am an undeniable, inconvenient body of knowledge. Read me.” She proceeds to stand before the crowd in silence for 15 minutes.
The punch Fuller’s book packs is visceral, but it wears its righteousness with tact, its tone more consolation than jeremiad. At its heart is a bifurcation. Orphaned at birth, Rick Overlooking Horse and another parentless boy, You Choose Watson, are raised in a tar-paper lean-to by Rick Overlooking Horse’s grandmother, Mina, the local midwife. Although not prone to chattiness herself, Mina is disposed, especially when high on Wahupta, to recount to her young charges tribal myths and battle tales, and to instill in them an appreciation for key Lakota precepts regarding the “eternal nature of everything.” “They say you’ve been here from the very start, and you’ll be here to the very end,” she tells her stupefied grandson. “Like that breath you just took. In the beginning, a dinosaur breathed that breath. Then a tree. Then an ant. Then you, now me.”
Mina’s teachings suggest a vision of politics as enlightened forbearance — since what goes around comes around — and Rick Overlooking Horse, assisted by some Wahupta experimentation of his own, comes to embrace this view. He gets sent to Vietnam, where he survives the casual racism of his fellow G.I.s, along with a friendly-fire napalm bomb that solders his dog tag to his chest and vaporizes the rest of his squad. He returns to the reservation resolved “never to lay so much as the tip of a single finger on the diseased currency of the White Man,” and installs himself in a tepee on a patch of empty land.
You Choose, meanwhile, channels his rage into violence. He feigns diabetes to escape the draft, and wanders north, dabbling in odd jobs and drug dealing before returning to the reservation and getting himself elected chairman of his increasingly restive tribe. Here, the disparity between the two men comes into sharp relief. Rick Overlooking Horse, acquiring a reputation for spiritual wisdom, is sought out by addicts, wounded veterans and the lovesick, while You Choose becomes a figure of terror. Like Richard (Dick) Wilson, the notorious chairman of the Oglala Lakota from 1972 to 1976, whom he closely resembles, You Choose plunders tribal funds, sidelines opponents and surrounds himself with a private militia, the Guardians of the Oglala Nation (GOONs). There are bloody clashes over purity (like Wilson, You Choose is of mixed blood) and over colonization (tribe members whose lifestyles are regarded as too white are referred to as “Colonized Indian Asses,” or C.I.A.). The murder rate surpasses that of New York and Detroit.
The conflict culminates in the novel as it did in life, with the 1973 siege at Wounded Knee, where Rick Overlooking Horse and hundreds of other protesters demand You Choose’s removal as tribal chairman and the resumption of treaty negotiations with the federal government. United States marshals descend, thousands of rounds are fired, and both Rick Overlooking Horse and You Choose end up doing jail time...
In The Hunger Angel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose―a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.
Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.
Scenes of desolation and rejoicing unspooled Thursday at the sites of buildings crumbled by Mexico’s deadly earthquake, which killed at least 274 people and galvanized heroic efforts to reach those trapped.More.
But a parallel drama transpired as the government announced that there were no missing children in the ruins of a collapsed school — after the country was transfixed for a night and a day by reports of a 12-year-old girl feebly signaling to rescuers from under the rubble.
Outrage ensued over what many Mexicans believed was a deliberate deception.
On Thursday afternoon, the Mexican navy reported that there was no sign that any child was missing and alive in the rubble of the Enrique Rebsamen school on Mexico City’s south side, where at least 19 children and six adults had died. One more adult might still be trapped in the rubble, navy Undersecretary Angel Enrique Sarmiento said at a news conference.
“All of the children are unfortunately dead,” he said, “or safe at home.”
Mexico’s larger tragedy continued to unfold as rescuers in three states, battling grinding fatigue and mountains of rubble, raced against time, keenly aware of ever-dwindling odds of finding people alive beneath the debris after Tuesday’s magnitude 7.1 temblor.
The overall confirmed fatality count was expected to climb as more bodies were recovered. Rescuers at sites across the sprawling metropolis of Mexico City used search dogs and calls to the cellphones of those trapped to try to pinpoint the location of anyone who had survived two nights under the remains of damaged buildings.
The harrowing rescue effort at the Enrique Rebsamen school had become a social media sensation when news outlets began reporting intensively about the search for a trapped girl thought to be named “Frida Sofia.”
By Thursday afternoon, authorities said that at least one boy or girl was believed to be alive in the wrecked building but that they were not sure of the child’s name. Then the navy’s announcement dashed any remaining hopes for small survivors.
The confusing Frida Sofia saga took another strange turn Thursday night, when a grim-faced Sarmiento went on live television and sought to explain earlier statements by the navy about the girl. He ended up confusing matters even further.
Earlier Thursday, Sarmiento had insisted that the navy never had any knowledge of a girl who was supposedly trapped in the rubble.
In his evening news conference, however, Sarmiento contradicted the earlier statement, conceding that the navy had distributed reports of a girl surviving inside the school “based on technical reports and the testimony of civilian rescue workers and of this institution.” He offered no explanation for the conflicting accounts, but apologized.
“I offer an apology to Mexicans for the information given this afternoon in which I said that the navy did not have any details about a supposed minor survivor in this tragedy,” Sarmiento, dressed in military fatigues, told reporters at an outdoor news conference.
Sarmiento repeated his earlier assertion that it was possible that someone remained alive in the rubble. But Thursday evening he did not rule out the possibility that it was a child. Mexicans and others following the matter were left perplexed.
“Nonetheless,” Sarmiento added, “the Mexican people should know that as long as the minimum possibility exists that there is someone alive, we will keep on looking with the same determination.”
Both he and a colleague, Maj. Jose Luis Vergara, denied any effort to mislead the public...
Starting with an acoustic guitar intro called "Silver Wheels," the song turns into a fast-paced rock song that was the signature sound of the band in their early years. "Crazy on You" attracted attention both for the relatively unusual combination of an acoustic guitar paired with an electric guitar, and the fact that the acoustic guitarist was a woman – a rarity in rock music during that time. According to co-writer/guitarist Nancy Wilson, who discussed it on an episode of In the Studio with Redbeard that devoted an entire episode to the Dreamboat Annie album, the rapid acoustic rhythm part was inspired by The Moody Blues song "Question."
The song's lyrics tell of a person's desire to forget all the problems of the world during one night of passion. During an interview on Private Sessions, Ann Wilson revealed the song was written in response to the stress caused by the Vietnam War and social unrest in the United States in the early seventies.
The earthquake nearly toppled this building across from me in Mexico City. People fled screaming as buildings crumbled. Scary as hell. pic.twitter.com/PDCFm8vh0B— Kate Linthicum (@katelinthicum) September 19, 2017
A powerful 7.1 earthquake rocked central Mexico on Tuesday, collapsing homes and bridges across hundreds of miles, killing at least 217 people and sending thousands more fleeing into the streets screaming in a country still reeling from a deadly temblor that struck less than two weeks ago.More.
Entire apartment blocks swayed violently in the center of Mexico City, including in the historic districts of El Centro and Roma, crumbling balconies and causing huge cracks to appear on building facades.
Panic spread through the city's core; rescue vehicles raced toward damaged buildings, and neighbors took on heroic roles as rescuers.
Firefighters and police officers scrambled to pull survivors from a collapsed elementary and secondary school where children died.
"There are 22 bodies here — two are adults — 30 children are missing and eight other adults missing. And workers are continuing rescue efforts," President Enrique Peña Nieto announced Tuesday night.
At least 86 people were reported killed and 44 buildings severely damaged in the capital alone. Twelve other people died in the surrounding state of Mexico, 71 across the state of Morelos, 43 in Puebla state, four in Guerrero state and one in Oaxaca, according to Mexican officials.
The temblor struck 32 years to the day after another powerful earthquake that killed thousands and devastated large parts of Mexico City — a tragedy that Peña Nieto had commemorated earlier Tuesday.
Around 11 a.m., Julian Dominguez heard alarms sounding in the neighborhood of Iztapalapa, part of a citywide drill to mark the anniversary of the magnitude 8.0 quake. Schools and other buildings evacuated, but he kept working at his computer.
About two hours later, Dominguez, 27, started to feel the building move, and alarms sounded again.
"It started really slowly,” he said, but within seconds it was clear that this was no drill.
Dominguez raced down a flight of stairs. Crowds of people already had gathered outside. Parents were crying, worried for their children still in school.
"It was strange that it fell on the same day … as another earthquake that caused so much damage," Dominguez said.
The federal government declared a state of disaster in Mexico City and dispatched 3,428 troops to affected areas there and in nearby states.
"We are facing a new emergency in Mexico City, in the state of Puebla and Morelos, following the 7.1 magnitude earthquake,” Peña Nieto said, adding that he had asked all hospitals to help care for the injured...
"Stand by Me. "
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