On Twitter.
Another college babe here.
Also, Angie Griffin.
BONUS: "Scarlett Johansson and Emilia Clarke."
Commentary and analysis on American politics, culture, and national identity, U.S. foreign policy and international relations, and the state of education - from a neoconservative perspective! - Keeping an eye on the communist-left so you don't have to!
On Twitter.
Another college babe here.
Also, Angie Griffin.
BONUS: "Scarlett Johansson and Emilia Clarke."
Scarlett Johansson Bust Out Her Ginormous Cleavage For Avengers Flashback Friday, Woohoo! https://t.co/PpvaW2NZ4v #AvengersInfinityWar #BlackWidow #FBF pic.twitter.com/mPhjlquZ48
— Popoholic (@Popoholic) April 27, 2018
To women and men in the industry, it would be wise of you to not promote Alec Baldwin. Fair warning. #ROSEARMY pic.twitter.com/x1I9Rti3LX
— rose mcgowan (@rosemcgowan) November 5, 2017
The curtain has been pulled back, and, oh, is it messy.More.
Hollywood has always reveled in scandal. The rumor. The whisper. The unfortunate photograph. The apology and return to grace. But the recent sex abuse stories have turned into a parade of tawdry violations and twisted passions, the stuff of movies acted out in real lives against the unglamorous air of disgrace, endless transgressions that even Ray Donovan, Showtime's half-shaven mercurial fixer, couldn't clean up with all his hush money and muscle.
The rape and sexual abuse allegations surrounding Harvey Weinstein, Brett Ratner, James Toback and others have shattered the awards-season aplomb in a town that imagines itself bold and freewheeling but prefers the tempered and scripted. The entertainment industry has slipped into a multi-polar catharsis of emboldened women, nervous men, threatening lawyers, broken deals, spoiled careers and the uncertainty that comes when cracks run like lightning through facades.
“I think the industry is forever changed,” said Marcel Pariseau, a publicist whose clients include Scarlett Johansson and Olivia Munn, one of six women who accused Ratner of sexual misconduct in The Times last week. “Every morning we wake up and we don’t know what’s going to be next. You’re almost afraid to get on your gadget to see what the new story is.
"No one is going to be going to a producer or director's hotel suite anymore," he added. "All meetings will be done with somebody else in the room for protection for both sides. It's a defining moment. It's vigilance."
Instagram accounts are being scrubbed, Facebook pages edited, publicists consulted and memories jogged about what might have happened where and with whom on that blurry night years ago. The cocktail circuit is jittery; the Oscar buzz feels a bit listless. Talent agencies are dropping clients and scouring their own houses. Studios are pruning relationships, firing executives hours after an allegation is made public.
In every pitch or development meeting, “people want to talk about it,” said a female television writer who preferred to remain anonymous. “It’s like everyone needs a little bit of therapy. It’s preoccupying people’s minds because they either have a direct connection to it or it’s like driving by a car crash; you’re just riveted. In the way Trump stuff used to lead a lot of things, now this stuff leads every single sit-down.”
This is the new Hollywood. Restless, unsure, demanding justice, looking for cover and wondering how to move beyond a long history of discrimination and sexual harassment and toward the kind of enlightened world it so often supposes in its art.
“We’re all having a conversation now about whether or not we are protecting people in our industry from people committing violent crimes against them,” said comedian and producer Judd Apatow. “I personally would not be comfortable making it a big part of my business trying to keep rapists and people who commit sexual assaults on the street. We all decide how we want to make money. We all decide what’s ethical. I’m well aware that all criminals deserve representation, but at the same time sometimes we’re putting other people in danger.”
It's hard to fix things when even hallowed names are in the headlines: Dustin Hoffman has apologized after being accused of sexually harassing a 17-year-old intern in 1985. Kevin Spacey said he was seeking "evaluation and treatment" after allegations of sexual assault and harassment.
The consequences against the accused have been swift: Netflix canceled Spacey's "House of Cards" and Warner Brothers cut ties with Ratner, who has denied claims of sexual harassment and misconduct from a number of women.
"When the Dustin Hoffman thing broke I was like, my gosh, now there's going to be a library of great movies that I can't watch anymore because of the ick factor. The ick factor is real," said the TV writer.
Audiences and critics have already begun reevaluating Weinstein's films, many of which were nominated for and won Academy Awards, including "Shakespeare in Love," whose star Gwyneth Paltrow says that the producer assaulted her in a hotel suite when she was 22...
The Radical Left Is Never Right About Israel http://t.co/Cf9uWjbZTz
— Donald Douglas (@AmPowerBlog) April 22, 2014
The people who defame Israel and wish to undermine its status in the world are not anti-Semites — or so they will tell you, every chance they get. Their denial of anti-Semitism is essential to their moral position. In their own view they are good progressives, therefore absolutely innocent of racial or religious discrimination. Their propaganda campaign, which they hope eventually will escalate into economic warfare, is intended merely to reshape Israel’s policies.Israel is held to standards no other country is required to meet. It's disparate treatment, specifically against against the Jews. And it's derived from nothing but hatred of the Jews. It's racism straight up. It's also what my deranged hateful stalker Walter James Casper III is all about.
What they oppose, they want to assure us, is Israel’s position in the West Bank. Their increasingly loud and self-confident BDS movement (Boycott, Divest, Sanction) is not, as they tell it, a struggle against the Jews. They simply want to bring Israel into line with enlightened leftist opinion in Europe, the U.S. and Canada.
Scarlett Johansson, the film star, found herself the enemy of BDS in January, when she appeared in advertisements for SodaStream, an Israeli home carbonation device that eliminates cans and bottles. SodaStream’s offence is to have one of its factories in the West Bank, where it employs Palestinians who might otherwise have no work at all.
BDS adherents began denouncing Johansson as “the new face of apartheid.” They love applying that South African term to Israel, no matter how unjustified it is. Oxfam, for which Johansson had served as an ambassador in past years, decided to accept her resignation. Oxfam opposes all trade with Israeli settlements and has no place for dissenters among its associates. Johansson said she and Oxfam “have a fundamental difference of opinion in regards to the Boycott, Divestment and Sanctions movement.” Oxfam likes BDS. She doesn’t. She says she researched SodaStream and found it an ethical operation.
Like the great majority of Americans in the film industry, Johansson is a liberal Democrat. She took part in the last three presidential elections and raised money for Barack Obama. Unlike many who fall into that category, she also thinks for herself.
The May issue of Vanity Fair carries a cover story about Johansson. The author of the piece, Lili Anolik, asked her how she explains why she has been viciously criticized for the SodaStream ads. Johansson answered, “There’s a lot of anti-Semitism out there.” ...
My own belief is that the BDS people and their fellow travellers, whatever their background, are anti-Semites. They do all they can to stigmatize the Jewish state and reduce its ability to defend itself. They know that Israel is surrounded by neighbours who will never recognize its existence, much less sign a treaty developed in a “peace process” quarterbacked by Washington. The Palestinians and the Arab states who claim to support them are not hoping for a more generous Israel or a BDS-approved Israel or an Israel willing to hand over the West Bank. They are working for a day when Israel will be gone forever.
In order to satisfy this generation’s anti-Semites, Israel must meet standards that no other country in the world has ever met or ever will. At the United Nations Israel is condemned more often than all other countries combined.
It is, of course, an imperfect democracy, like Canada and all other free countries, and its human rights record could certainly be improved. But its treatment of Palestinians has never been even remotely comparable to China’s oppression of Tibetans or Saudi Arabia’s treatment of women, two among many outrageous practices that apparently never trouble the students who direct their anger at Israel.
In devising their purposes the BDS campaigners have never shown even the beginning of a sense of proportion. It’s remarkable that the world needs a 29-year-old movie star to point this out.
Pregnancy looks pretty good on Scarlett Johansson. http://t.co/nYmYqi3PNs pic.twitter.com/5KaIya9fxr
— Maggie Coughlan (@MaggieCoughlan) March 20, 2014
New Yorker film critic Anthony Lane is catching heat for his recent profile of Scarlett Johansson, which detractors say fawns over the actress without bothering to comprehend her.And here's Lane's profile, "HER AGAIN: The unstoppable Scarlett Johansson."
Johansson has two films coming out on the same day (April 4): "Captain America: The Winter Soldier" and "Under the Skin," and has recently been linked to separate controversies involving SodaStream and Woody Allen.
As critics of Lane's profile point out, he devotes much of it to cataloging Johansson's allure, describing "the honey of her voice" and declaring that she "looks tellingly radiant in the flesh" or seems to be "made from champagne." And yet, these critics say, the profile tells readers very little about Johansson as an actress or an individual.
Slate's Katy Waldman, for example, criticizes Lane's "inappropriate-uncle creepiness" in the profile.
The problem with the piece, Waldman writes, "is not [just] that it salivates over ScarJo, but that it refuses to treat her as a human subject, with qualities of mind. (If this is because Lane didn't have much time with Johansson, maybe the magazine shouldn't have run the piece.) When Lane isn't characterizing Johansson as strangely blank and opinionless, he’s trafficking in the dream of the remote, unknowable Woman — a flat projection of male desire."
She adds, "The worst part, however, is that Lane wants it both ways: He pants over ScarJo as the generic representative of a certain erotic fantasy and then has the chutzpah to critique her, slyly, for lacking substance."
Esther Breger of the New Republic similarly writes, "Lane's piece, the worst profile I can remember reading in The New Yorker, can be reduced to one basic takeaway: Anthony Lane thinks Scarlett Johansson is radiant, and wants to tell you all about it."
Breger, whose post is titled "Anthony Lane's Scarlett Johansson Profile Turns The New Yorker into a Men's Magazine," also writes, "Try to imagine The New Yorker running this about Matthew McConaughey, or Michael Fassbender. Sadly, this kind of fawning isn't unusual, as far as profiles of attractive actresses go … but I prefer my glossy-mag sexism sans highbrow pretensions."
Kay Steiger of Talking Points Memo doesn't mince words either, calling Lane's profile "gross." It's also indicative of another issue, she says: the dearth of female editors at major magazines.
Scarlett Johansson will not speak at Aipac meeting, but she will be there in spirit http://t.co/j7v1Z49JXN pic.twitter.com/A6ZZO2YaGh
— The Caucus (@thecaucus) February 28, 2014
Rarely can the off-screen performance of a Hollywood star have had such a galvanic effect upon the morale of a besieged group of people.More.
When Oxfam attacked Scarlett Johannson for advertising SodaStream, the gaseous gizmo whose bubbles are apparently toxic for being manufactured in Mishor Adumim just over Israel’s Green Line, the charity was expected to sack the actress as its public face.
But, as the attacks on her by the Boycott, Divestment and Sanctions crowd reached fever pitch, Ms Johansson stunned everyone by sacking Oxfam, on the grounds that she was a supporter of “economic co-operation and social interaction between a democratic Israel and Palestine”. Which, by implication, Oxfam was not.
With this put-down, she achieved more than all the anti-BDS activists put together (not to devalue their heroic efforts). For the first time that I can remember, a glamorous personality went on to the front foot against the peddlers of anti-Israel bigotry.
She did not adopt a cringing, defensive posture. She strode on to the moral high ground and, at long last, delegitimised the delegitimisers.
For Oxfam’s part, it dug itself further and further into its ridiculous hole. Its mantra that Israeli “settlements” such as Ma’ale Adumim – the city to which Mishor Adumim belongs — are illegal under international law is simply false.
Former Pink Floyd front man Roger Waters, one of the more prominent celebrity faces of the boycott Israel movement, says he has contacted Scarlett Johansson “a couple of times” over the A-list actress’s decision to represent an Israeli company that operates in a West Bank settlement.More at that top link.
Last week Johansson announced that she was ending her relationship with the humanitarian organization Oxfam, after the group criticized her decision to sign on as the first global brand ambassador for at-home soda maker SodaStream and star in a Super Bowl ad for the company, which maintains a large factory in Ma’ale Adumim.
In a post to his Facebook page on Saturday, Waters also wrote that he had contacted Neil Young, who is slated to perform in Israel in July.
“In the past days I have written privately to Neil Young (once) and to Scarlett Johanson (a couple of times). Those letters will remain private,” he said. “Sadly, I have received no reply from either. And so I write this note on my Facebook page somewhat in bewilderment. Neil? I shall ponder all of this long and hard. We don’t really know each other, but, you were always one of my heroes, I am confused.”
Waters then went on to evoke a meeting with Johansson, “a year or so ago” at a Cream reunion concert in New York. “She was then, as I recall, fiercely anti Neocon, passionately disgusted by Blackwater (Dick Cheney’s private army in Iraq), you could have been forgiven for thinking that here was a young woman of strength and integrity who believed in truth, human rights, and the law and love. I confess I was somewhat smitten,” he said. “There’s no fool like an old fool.”
On January 29, 2014 the 29-year-old actress Scarlett Johansson announced she was quitting her role as an ambassador of Oxfam, the international charity organization, whose mission is to help alleviate poverty, because of "fundamental differences" between them. She had worked for Oxfam since 2005, and became one of its ambassadors in 2007 engaging in highlighting the impact of natural disasters and helping raise funds to save lives and to fight poverty. After the Indian Ocean earthquake, she travelled to India and Sri Lanka to aid the tsunami survivors, and also went to Kenya to help provide support for the poor.She's definitely classy, especially for an Obama-shilling Democrat, lol.
The basis for the fundamental differences is now well known. Oxfam is opposed to all trade involving products from Israeli settlements which it holds are illegal under international law. Ms. Johansson signed a contract to be the first brand ambassador and spokesperson for SodaStream, the Israel business making products that allow people to produce carbonated sodas. The company makes those drinks in 25 factories throughout the world, and another one is being built in Israel in the Negev where Bedouins will be employed. The problem for Oxfam is this SodaStream factory located in Mishor Adumim, in the industrial area of the Israeli settlement of Ma'ale Adumim, a city of 40,000 people.
Oxfam has shown its public face of being part of the boycott, divestment, and sanctions movement against Israel, and has succumbed to the pressure of politically-correct leftists, anti-Semites, and the Palestinian Campaign for the Boycott of Israel. By taking this bigoted position Oxfam has departed from its declared humanitarian mission focused on alleviating poverty.
Oxfam is echoing, if in more subdued manner, the other bigoted organizations and people who call for a whole or selective boycott of Israel, or for cutting of ties with it. A prominent example of this is Roger Waters of Pink Floyd, who has called for a boycott of Israel, approved the boycott decision of Israel by the American Studies Association of December 4, 2013, and also declared that Israeli settlements are an obstacle to peace. This rock and roll singer went further, in an article on December 4, 2013 implicitly comparing Israel with Nazi Germany because of its "systematic racist apartheid." Waters found the parallels between the 1930s in Nazi Germany and Israel today are "so crushingly obvious."
But Waters, like others in the BDS movement, sometimes inadvertently reveal their outrageous true sentiments, which have little to do with Israel or its settlements. In his article he warned, "The Jewish lobby is extraordinary powerful here, and particularly in the industry in which I work... people are terrified (of it)."
Oxfam cannot be characterized as an anti-Semitic organization, but it might take care of the company it keeps. By contrast, Johansson, in her difference of opinion with Oxfam, has exhibited qualities of grace and courage, and confirmed her principled advocacy of peace. She replied to Oxfam that she never intended to be the face of any social or political movement, distinction, separation, or stance. She believes in economic cooperation and social interaction between democratic Israel and Palestinians.
JERUSALEM — ON Feb. 4, 1965, as a teenager, I left South Africa, the country of my birth, for a new home in a place I’d never been — Israel.More at the link.
I loved South Africa, but I loathed the apartheid system. In Israel, I saw a fresh start for a people rising from the ashes of the Holocaust, a place of light and justice, as opposed to the darkness and oppression of apartheid South Africa.
Now, almost 50 years later, after decades of arguing that Israel is not an apartheid state and that it’s a calumny and a lie to say so, I sense that we may be well down the road to being seen as one. That’s because, in this day and age, brands are more powerful than truth and, inexplicably, blindly, Israel is letting itself be branded an apartheid state — and even encouraging it.
In apartheid South Africa, people disappeared in the night without the protection of any legal process and were never heard from again. There was no freedom of speech or expression and more “judicial” hangings were reportedly carried out there than in any other place on earth. There was no free press and, until January 1976, no public television.
Masses of black people were forcibly moved from tribal lands to arid Bantustans in the middle of nowhere. A “pass system” stipulated where blacks could live and work, splitting families and breaking down social structures, to provide cheap labor for the mines and white-owned businesses, and a plentiful pool of domestic servants for the white minority. Those found in violation were arrested, usually lashed, and sentenced to stints of hard labor for a few shillings per prisoner per day, payable to the prison service.
None of this even remotely exists in Israel or the occupied territories. But, increasingly, in the mind of the world it does. This is because of Israel’s own actions and a vigorous campaign by those who oppose its occupation of Palestinians’ land and, in some cases, Israel’s right to exist as a Jewish state. They understand that delegitimization is Israel’s soft belly and apartheid the buzzword to make it happen.
International isolation is potentially more dangerous for Israel than the Iranian nuclear program. The Palestinians and their supporters, particularly the young generation, some of whom have graduated from the best universities in the world, have come to realize that the stones of the first intifada and the suicide bombers of the second are yesterday’s weapons in yesterday’s war.
Boycott, divestment and sanctions are now the way they seek to end the Israeli occupation or Jewish Israel itself. Their message has started to resonate with trade unions, churches, universities and international companies in Europe and the United States, who see Israel as oppressing Palestinians and violating their human rights.
A Dutch pension giant’s decision last month to divest from Israel’s five largest banks because of their ties to occupation rang warning bells in Israel’s business community and the Treasury. According to the finance minister, even a partial European boycott would cost Israel 20 billion shekels (about $5.7 billion) in exports annually and almost 10,000 jobs. But the greatest damage is self-inflicted.
The “apartheid wall,” “apartheid roads,” colonization, administrative arrests, travel restrictions, land confiscations and house demolitions are the clay apartheid comparisons are made of, and cannot be hidden or denied, for as long as Israel continues with the status quo...
Actress Scarlett Johansson ended her relationship with Oxfam International citing “a fundamental difference of opinion” over the anti-Israel Boycott, Divestment and Sanctions (BDS) movement, the Associated Press reported Wednesday evening, citing her spokesman.More at the top link.
“Scarlett Johansson has respectfully decided to end her ambassador role with Oxfam after eight years,” her statement said. “She and Oxfam have a fundamental difference of opinion in regards to the boycott, divestment and sanctions movement. She is very proud of her accomplishments and fundraising efforts during her tenure with Oxfam.”
Johansson’s rift with the relief group began earlier this month when she was unveiled as the new face of Israeli carbonated drinks maker, SodaStream. Following the announcement, anti-Israel groups attacked Johansson citing the company’s West Bank based factory, which they deem to be problematic.
“Oxfam is opposed to all trade from Israeli settlements, which are illegal under international law,” the group said at the time, adding that, “We have made our concerns known to Ms. Johansson and we are now engaged in a dialogue on these important issues.”
Johansson responded with a detailed statement highlighting the cooperation that takes place between Jews and Arabs at SodaStream’s factory. “SodaStream is a company that is not only committed to the environment but to building a bridge to peace between Israel and Palestine, supporting neighbors working alongside each other, receiving equal pay, equal benefits and equal rights,” she said at the time.
“I remain a supporter of economic cooperation and social interaction between a democratic Israel and Palestine,” she added...
Demonizing Israel; Demonizing ScarJo : http://t.co/AbDsGgsCfs @Commentary
— Commentary Magazine (@Commentary) January 27, 2014
Watch Scarlett Johansson's sexy Super Bowl ad for SodaStream http://t.co/CzPOk6uCDF
— People magazine (@peoplemag) January 27, 2014
American actress Scarlett Johansson released a statement Friday about the controversy surrounding her role as the first-ever brand ambassador of the Israeli company SodaStream. Her public comments were made after she came under fire for the endorsement deal from the pro-Palestinian Boycott, Divestment, and Sanctions movement.In other words, a completely manufactured controversy --- i.e., a "nontroversy" if there ever was one.
“While I never intended on being the face of any social or political movement, distinction, separation or stance as part of my affiliation with SodaStream, given the amount of noise surrounding that decision, I’d like to clear the air,” Johansson’s statement, published by The Huffington Post, read.
Since SodaStream named Scarlett Johansson the first-ever brand ambassador of its sleek, sassy seltzer makers earlier this month, the BDS movement has demanded that the starlet step down from the post, plastering the Twittersphere with blood-soaked ads bestowing upon Scarlett an “A for Apartheid.”
Their beef with the beverage company? Its principal manufacturing plant, which is located in the industrial strip of Ma’aleh Adumim, a major West Bank settlement. Many in the BDS movement, a global campaign that urges its supporters to withhold patronage of any Israeli-made goods and services, began tossing the term “blood bubbles” around the Internet, while others cried foul over Johansson’s role as an Oxfam ambassador.
The international aid and development group Oxfam has distanced itself from one of its own global ambassadors, the actress Scarlett Johansson, since she agreed to become the face of SodaStream, an Israeli company that makes products in a settlement built on West Bank territory Israel has occupied since 1967.
In a statement added Wednesday to a web page on Ms. Johansson’s work for the charity, Oxfam said that while it “respects the independence of our ambassadors,” the group also “believes that businesses that operate in settlements further the ongoing poverty and denial of rights of the Palestinian communities that we work to support. Oxfam is opposed to all trade from Israeli settlements, which are illegal under international law.” For that reason, the statement concluded, “We have made our concerns known to Ms. Johansson and we are now engaged in a dialogue on these important issues.”
Certainly, the master of the dark side had “a murderous fascination with blondes,” as the British Film Institute once noted in a tribute.Well, it's a nice start at the essay, but collapses after that in some post-modern cultural psycho-babble that's not very well related to Alfred Hitchcock. Keep reading at that top link if you're not bothered by Ms. Dowd.
And now comes Hollywood’s murderous fascination with Hitchcock’s murderous fascination.
HBO’s “The Girl” depicts the making of “The Birds” and “Marnie,” with Toby Jones playing Hitch and Sienna Miller playing Tippi Hedren, fighting off rapacious birds and rapacious director at the same time.
In theaters, “Hitchcock,” with Anthony Hopkins as the auteur and Helen Mirren as his wife and collaborator, Alma Reville, depicts the making of “Psycho,” with Scarlett Johansson taking Janet Leigh’s place in the shower to be stabbed by that crazed mama’s boy Norman Bates. (The long-suffering Alma at one point erupts at her husband about his glittering fixation, snapping that she is “not one of the contract blondes you badger and torment with your oh-so specific direction.”)
Next spring, A&E will run “Bates Motel,” a prequel series to “Psycho,” featuring a young, creepy Norman, with Vera Farmiga as his (blond) mother.
Why the fresh fascination with the man with the famous profile? Perhaps the more Hollywood churns out rancid movies, the more it appreciates Hitch, who never got an Oscar. (“They take sadistic pleasure in denying me that one little moment,” Hopkins’s Hitchcock says.)
When he was asked about plot construction, the martini-dry director would echo the advice of the 19th-century playwright Victorien Sardou: “Torture the women!” And the Brit would slyly observe: “Blondes make the best victims.”
With a quarter of a billion dollars already in its pocket from a week of ticket sales, the Marvel superhero mash-up"The Avengers"is poised to join Hollywood's most elite club — the brotherhood of billion-dollar box office movies.Video c/o Maggie's Farm.
Unlike its cousins, though, "The Avengers" took a different path to the clubhouse. It opened first overseas, with splashy red-carpet premieres in Rome, Beijing, London and Moscow, where audiences have embraced the special-effects-driven action and adventure film.
By opening early abroad, movies like the Disney release "The Avengers" build box office momentum from their most avid audiences — foreign moviegoers who love spectacular action sequences on the big screen.
American movies, always popular internationally, today earn far more money abroad than at home — up to 70% of their overall take, and rising. Between 2007 and 2011, ticket sales overseas grew 35%, while domestic grosses increased only 6%.
Five years ago, an overseas-first debut would have been unthinkable. Movies always debuted on the same date around the world, or first in the U.S. But now, studios with certain movies are putting foreign theaters first and making U.S. audiences wait.
For "The Avengers," which opens here this weekend, the gambit is working. The film, whose A-list stars include Robert Downey Jr.and Scarlett Johansson, centers around an international peace-keeping crew of Iron Man, the Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. It had a 93% fresh rating from the online review aggregate Rotten Tomatoes.
"The fact that it has done so well overseas has everyone already speculating over just how successful it's going to be," said Peter Adee, who has worked in marketing and distribution at Relativity Media, Metro-Goldwyn-Mayer and Universal. "The question 'Is it going to be successful?' is gone from the conversation before it even debuts in the U.S."
The movie is projected to open in the U.S. and Canada to at least $150 million in ticket sales — among the top five biggest openings of all time. (The top dog is "Harry Potter and the Deathly Hallows Part 2," with its $169.2-million debut.)
At Gentlemen's Quarterly, "GQ's Model Behavior Body of the Year: Kate Upton."
And at The Other McCain, "Rule 5 Sunday: Obsolete.""Stand by Me. "
Ed Driscoll, at Instapundit "AND THE ROLE OF EMMANUEL GOLDSTEIN WILL BE PLAYED BY…: Liberals’ Knives Come Out for Nate Silver After His Model Points to a Trump Victory..."
R.S. McCain, "'Jews Are Dead, Hamas Is Happy, and Podhoretz Has Got His Rage On ..."
Ace, "Georgia Shooter's Father Berated Him as a "Sissy" and Bought Him an AR-15 to 'Toughen Him Up'..."Free Beacon..., "Kamala Harris, the ‘Candidate of Change,’ Copies Sections of Her Policy Page Directly From Biden's Platform..."