Las Vegas’s Yet-to-Open Spherical Performance Venue is Already Famous for Bizarre Imagery It Broadcasts (VIDEO)

At the Los Angeles Times, "Sphere can be bizarre and sublime — or just an ad. That’s what makes it so Vegas":

Grammys Go With Devil Worship In Primetime

At Instapundit, "I HOPE WE’RE NOT TOO MESSIANIC, OR A TRIFLE TOO SATANIC."

And from Liz Wheeler:

Don’t fight the culture wars, they say. Meanwhile demons are teaching your kids to worship Satan. I could throw up.

pic.twitter.com/p1rqEwVeSW

— Liz Wheeler (@Liz_Wheeler) February 6, 2023

'The new Oppenheimerfilm by Christopher Nolan features a nuclear explosion done without CGI...'

I'd like to see that!

At AoSHQ, movie talk, in particular, what's up with "Mission Impossible: Dead Reckoning Part One"?

See, "Is This Something?"

He's talking about this video, "The Biggest Stunt in Cinema History (Tom Cruise)."

Gal Gadot Not 'Booted' From DC Cinematic Universe

James Gunn is the co-CEO of DC Studios. He's responding to reports that Gal Godot has been fired as "Wonder Woman," from the DC cinematic universe.

Twitter blew up yesterday, though we have reports to the contrary today.

At Deadline, "James Gunn Shoots Down Claim Gal Gadot Was “Booted” From DC Universe After ‘Wonder Woman 3’ Axing."

And on Twitter today, Gal Gadot's all, "Hey, your loss, not mine": 

Dave Chappelle's Opening Bit on Saturday Night Live (VIDEO)

I watched it. Pure genius, and funny as hell. Un-PC, though. Some folks got their skivvies twisted. 

At Vanity Fair, "Live From New York: Dave Chappelle Turns SNL Into Chappelle's Show — The controversial comedian opened his third hosting turn with a passionate 15-minute monologue touching on Kanye and Trump."

 

How Crazy-Ass Tom Cruise and 'Top Gun' Saved America (VIDEO)

I saw this movie. Folks are right: It's very good.

From Matt Taibbi, on Substack, "America needs to get back to meaningless fun, and "Top Gun: Maverick" delivers in colossal doses." 

A Jury Has Awarded Johnny Depp $15 Million in Defamation Lawsuit Against Amber Heard (VIDEO)

I watched about an hour of Depp's testimony a couple of weeks ago, and he looked pained, an abused and harried man with a dangerous, unstable wife. 

There's been a lot of piling on, especially on Ms. Amber, who was probably abused herself. It's a matter degrees. She actually won her case two, but was award $2 million to Depp's $15 million.

I find it actually sad, a horrible statement not just on the couple, but on society. 

At WSJ, "Jury Rules in Favor of Johnny Depp in Defamation Lawsuit Against Amber Heard":

Jury awards Mr. Depp $15 million in damages; Ms. Heard receives $2 million in damages.

A Virginia jury ruled in favor of actor Johnny Depp in his case against Amber Heard, closing a widely watched and emotional trial centered on defamation and abuse accusations between the former couple.

The seven-member jury found Mr. Depp proved all three counts of defamation against his former spouse in an op-ed she wrote for the Washington Post in 2018, awarding him $15 million. The jury also found Ms. Heard was able to prove one of three counts of defamation against Mr. Depp, based on statements made by one of his attorneys. The jury awarded her $2 million in compensatory damages.

The trial, which started in April, drew massive attention on social media, where viewers attempted to analyze details of the proceedings. Fans of Mr. Depp gathered outside of the court Wednesday cheered in response to each of the verdicts coming down, according to a live stream of the scene.

The case began in 2019 when Mr. Depp filed a $50 million defamation suit against Ms. Heard over the 2018 op-ed she wrote. In the piece, Ms. Heard referred to herself as “a public figure representing domestic abuse.”

Mr. Depp alleged that, while Ms. Heard’s op-ed didn’t specifically mention him by name, the actress falsely implied he was a domestic abuser and wrote the piece “with actual malice.”

He claimed the accusations of abuse damaged his reputation and career. The lawsuit also alleges Ms. Heard abused Mr. Depp.

Ms. Heard has denied his abuse accusations and accused Mr. Depp of defamation for claiming she fabricated injuries related to alleged abuse.

Ms. Heard countersued Mr. Depp for $100 million for defamation in August 2020. She has said the op-ed is accurate and that the actor emotionally and physically abused her throughout their relationship and marriage, often when he was drunk or high. The counterclaim also accused Mr. Depp of orchestrating efforts to destroy her career.

Mr. Depp has denied accusations of abuse, her claims that he made defamatory statements and sought to “destroy her career.”

Mr. Depp didn’t appear in court for the verdict due to “previously scheduled work commitments made before the trial” and would watch from the U.K., a person familiar with the matter said before the verdict was read. Videos posted on social media over the weekend showed the actor performing alongside singer Jeff Beck at a concert in England.

Ms. Heard sat between her lawyers in the courtroom as the verdict was read Wednesday.

Judge Penney Azcarate ordered the names of the jurors to be sealed for one year after the trial, according to court documents.

Mr. Depp previously lost a libel case in the U.K. in 2020 against a British tabloid that referred to him as a “wife beater” over his alleged treatment of Ms. Heard...

 

Netflix, Facing Reality Check, Vows to Curb Its Profligate Ways

It's funny, because I just haven't been watching *anything* on Netflix of late. I like news, movies, sports. It's got to be a very good streaming series for me to invest the time to binge watch or view over multiple seasons. 

I actually watched the first season of "Euphoria," but that was on HBO. I'm too busy with school right now in any case. Summertime is when I have the time to watch a lot of television (though I did see "Passion of the Christ" on Netflix before Holy Week just past). 

I'm not canceling my subscription just yet, but honestly, I use Amazon Prime more frequently these days. 

Oh well.

At the Wall Street Journal, "Streaming service spent lavishly on productions to win subscribers, but now growth has slowed":

For Netflix Inc., the era of carefree spending is over.

The streaming giant ran up a huge bill over the past several years as it expanded across the globe and produced a mountain of programming, prioritizing growth over cost efficiency. Now the company is imposing more financial discipline, according to senior executives.

The shift comes as competition from an array of streaming rivals begins to take a toll, a new reality that was evident in first-quarter results announced Tuesday. The company lost subscribers for the first time in over a decade, and revenue grew at its slowest pace in years. Shares plunged 35%, the stock’s second-worst one-day decline ever, erasing $54 billion in market value.

“Well, it’s a bitch,” Netflix Chairman and Co-Chief Executive Reed Hastings said of the results while addressing employees in a town hall on Wednesday afternoon, according to people familiar with his remarks.

After churning out over 500 original programs last year, Netflix is looking to add fewer new titles, with a greater emphasis on quality, people familiar with the company’s strategy said. It is revamping production deals to limit its risk, and prioritizing programs with the biggest return, not the greatest reach, the people said. A key internal metric: the ratio of a program’s viewership to its budget.

“We should right-size budgets depending on what the creative dictates, and what the size of the audience is,” Bela Bajaria, the head of global TV for Netflix, said in a recent interview.

She said when Netflix first started making original programs it had no track record and had to make outsize bids to land “House of Cards” and other high-profile shows. “That was the cost of entry, the cost of doing business,” Ms. Bajaria said.

Netflix executives said the company expects to continue to grow spending on content to more than $20 billion this year while scrutinizing it more closely. Ms. Bajaria said that doesn’t mean the service will go cheap on production. “We’re always going to make great shows and have the amount of money needed for the creator’s vision,” she said.

As it looks to rein in costs, Netflix is also exploring new ways to boost revenue. In January, the company said it was raising prices in the U.S. and Canada. On Tuesday’s earnings call, Mr. Hastings said Netflix is exploring adding a lower-priced, ad-supported version of the service to court cost-conscious viewers. And, after blaming password-sharing for limiting its growth, Netflix says it is looking to “monetize” the practice.

The newfound focus on content costs is causing tensions with Hollywood’s producers and show runners, who have benefited from the streamer’s largess. Netflix’s tendency to give shows a quick hook when it believes they aren’t delivering a return is another sore spot with producers and creators. Some producers say Netflix needs to be more aware of its competitive environment, and factor in the programming rivals are launching when deciding when to release its own shows.

“If there is anything I would say is a fault of Netflix, it is that they are so insular. They may not see what’s going on outside their walls or they know and the hubris is so great they don’t care,” said Jeff Fierson, whose credits for Netflix include the movie “Sweet Girl” and the short-lived series “Daybreak.”

Mr. Fierson noted that “Daybreak”—a show about teens in a post-apocalyptic Los Angeles—made its debut close to the premiere of Disney+’s “The Mandalorian” and the debut of the Apple TV+ streaming service.

Warning sign Netflix still leads the pack in streaming video with more than 220 million subscribers. But its recent turbulence has rattled Wall Street, causing investors to question how big the pot of gold is in the streaming wars. Shares in Paramount Global, which operates the Paramount+ streaming service, fell 7% on Wednesday, while shares in Walt Disney Co., owner of Disney+, fell 5% and shares in Warner Bros. Discovery, owner of HBO Max, fell 5%.

Disney+, Netflix’s closest rival with 130 million subscribers globally, is starting to feel some pressure as well. The company launched a low-cost, ad-supported tier to boost subscribers. It is broadening beyond the “Star Wars” and “Marvel” programming that has anchored Disney+, hoping to reach new audiences and be better positioned to achieve its target of between 230 million and 260 million subscribers by the fall of 2024. The ABC show “Dancing with the Stars,” which appeals primarily to an older audience, will move exclusively to Disney+ starting this fall.

All streaming players are learning that adding new subscribers is getting much harder, especially in the mature U.S. market. Every service is under pressure to create a steady flow of new shows and movies to draw in new subscribers and retain existing ones. The hope is that every once in a while they’ll score a big hit like Netflix did with “Squid Game,” “Tiger King” and “Queen’s Gambit.”

Veteran media analyst Michael Nathanson, who has raised concerns about the prospects for major players in streaming, said consolidation that reduces the number of competitors might relieve some pressure, but “for the time being, this is a pretty capital-intensive business.”

Some producers and writers say they are frustrated by inconsistent guidance from streaming services, which are always looking for a new formula to attract more subscribers. “As creative people we are getting whipsawed. There is not a mission statement that sticks around for more than a couple of months,” said producer Mike Royce, whose credits include the Netflix reboot of “One Day at a Time.”

When Netflix first introduced original programming to its platform a decade ago, its pitch to creators was that there would be little interference from the “suits” and no worries about ratings. In recent years the company has spent hundreds of millions of dollars signing superstar producers including Shonda Rhimes and Ryan Murphy, setting off a talent arms race among Hollywood studios.

Now, the service has a never-ending conveyor belt of new content. Shows have a window of several weeks to find their audience or they are canceled, meaning they usually aren’t promoted on the home page and become harder for viewers to find. Netflix executives say the company’s cancellation rate is on par with that of rival streamers, and of broadcast and cable networks...

 

The Problem With Jon Stewart

I cant't block quote this one. You gotta read the whole thing.

From Andrew Sullivan, at the Weekly Dish, "How painfully, cringingly super-woke must a comedian get to stay relevant?"

Will Smith Expelled from the Academy of Motion Picture Arts and Sciences

The headline claims he resigned, but when you read his comments, it's clear the Academy left him with no other choice. 

At the New York Times, "Will Smith Resigns From Academy After Slapping Chris Rock at Oscars":

The producer of the telecast said that Smith had been asked to leave after slapping Rock, and that he had urged officials not to “physically remove” him.

LOS ANGELES — Will Smith, who slapped the comedian Chris Rock at the Oscars, said Friday that he was resigning from the Academy of Motion Picture Arts and Sciences, saying that he had “betrayed” its trust with conduct that was “shocking, painful, and inexcusable.”

The sudden announcement came late Friday afternoon, days after the Academy had condemned Mr. Smith’s actions and opened an inquiry into the incident.

“I have directly responded to the Academy’s disciplinary hearing notice, and I will fully accept any and all consequences for my conduct,” he said in a statement on Friday.

“I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work,” he said in the statement. “I am heartbroken.”

He said that he would “accept any further consequences the board deems appropriate.”

“Change takes time,” he concluded, “and I am committed to doing the work to ensure that I never again allow violence to overtake reason.”

Now that he has resigned, Mr. Smith will no longer have access to academy screenings and events. He will also not be able to vote in the Academy Awards. However, he could still be nominated for an award, since being a member is not a requirement for eligibility.

Mr. Smith’s resignation came roughly 12 hours after Will Packer, the lead producer of the Oscars telecast, spoke publicly about the episode for the first time.

In an interview with Good Morning America” on ABC, the network which also broadcasts the Oscars, Mr. Packer said that after Mr. Smith had been asked to leave the ceremony, he urged the Academy leadership not to “physically remove” him from the theater in the middle of the live broadcast.

Mr. Packer said he had learned from his co-producer, Shayla Cowan, that there were discussions of plans to “physically remove” Mr. Smith from the venue. So he said he immediately approached academy officials and told them that he believed Mr. Rock did not want to “make a bad situation worse.”

“I was advocating what Rock wanted in that time, which was not to physically remove Will Smith at that time,” Mr. Packer said. “Because as it has now been explained to me, that was the only option at that point. It has been explained to me that there was a conversation that I was not a part of to ask him to voluntarily leave.”

In the interview, Mr. Packer also said that Mr. Rock’s joke about Jada Pinkett Smith’s hair was unscripted “free-styling.”

“He didn’t tell one of the planned jokes,” he said of Mr. Rock.

Someone close to Mr. Rock who asked to speak anonymously because the Academy’s inquiry into the incident is ongoing said that Mr. Rock was never asked directly if he wanted Mr. Smith removed. Had he been asked, it was not clear how Mr. Rock would have responded, the person said. Mr. Rock was only asked if he wanted to press charges, and he said that he did not, the person said...

 

Governor Ron DeSantis Floats Revoking Disney Company's Independent Governing Status in Florida (VIDEO)

This is blowing up the culture war, dang!

At Fox News, "DeSantis broaches repeal of Disney World's special self-governing status in Florida":

Florida's Republican Gov. Ron DeSantis addressed on Thursday the suggestion of repealing a 55-year-old state law that allows Disney to effectively govern itself on the grounds of Walt Disney World, following the company’s public opposition to a controversial parental rights law in Florida.

"What I would say as a matter of first principle is I don’t support special privileges in law just because a company is powerful and they’ve been able to wield a lot of power," DeSantis said during a press conference in West Palm Beach, Florida on Thursday...

Laura Ingraham's video is embedded at the article, "Angle: Disney turns its back on millions of Americans."

'Real Time' Panel Discusses Florida's 'Don't Say Gay' Legislation (VIDEO)

I hate this debate. I'm just sickened by it. 

I also hate attacks on opponents as "groomers." Maybe their are some, but those at the forefront of the opposition are radical trans activists pushing cultural Marxism on society to destroy the nuclear family and incite social revolution (as if that's not happened already). "Groomer" is a bigoted attack on legitimate interest group actors, and it's puerile. 

Fucking just beat these people at the polls, damn! 

The bill, now signed into law, is called "CS/CS/HB 1557 - Parental Rights in Education," and if you read it, it's just common sense. 

Anyways I watched this episode below on HBO because Batya Ungar-Sargon was scheduled and I like her a lot. 

If you haven't yet, get your copy of Bad News: How Woke Media Is Undermining Democracy. It's an outstanding book which should be winning all kinds of awards. 

WATCH: 

Batya Ungar-Sargon on 'Real Time with Bill Maher'

She appeared last night, "Catch Up on the Latest."

On Twitter.

'Hey Jealousy'

Here's the Gin Blossoms. (On Jon Stewart's show like, umm, ages ago. The dude's a young man!)

Have a good weekend everybody!

Backlash Against Dave Chappelle's 'The Closer' (VIDEO)

If you've watched Chappelle's latest and last comedy special on Netflix, you might be flummoxed by all the hullabaloo. Then again, if you're up on despicable cancel culture, maybe not. 

One of many hilarious moments is when he told his audience that he was "uncancelable." He tells all the media scolds and woke Twitter idiots to fuck off. It's boss, heh.

Leftist won't let go, though Netflix CEO Ted Sarandos has refused to cave. Maybe he still will, but I doubt it. Netflix has the power, not the ghoulish woke mob. Chappelle's show received sky-high viewer ratings on Dirty Rotten Tomatoes. Sarandos says the show's too popular to cancel. 

Anyway, just watch it for yourself. The cancel mobs make a lot of noise and they are very successful, but they can't bring down everyone, especially the biggest stars in the industry. 

The latest at NYT, "Netflix Loses Its Glow as Critics Target Chappelle Special":

It was looking like a great year for Netflix. It surpassed 200 million subscribers, won 44 Emmys and gave the world “Squid Game,” a South Korean series that became a sensation.

That’s all changed. Internally, the tech company that revolutionized Hollywood is now in an uproar as employees challenge the executives responsible for its success and accuse the streaming service of facilitating the spread of hate speech and perhaps inciting violence.

At the center of the unrest is “The Closer,” the much-anticipated special from the Emmy-winning comedian Dave Chappelle, which debuted on Oct. 5 and was the fourth-most-watched program on Netflix in the United States on Thursday. In the show, Mr. Chappelle comments mockingly on transgender people and aligns himself with the author J.K. Rowling as “Team TERF,” an acronym for trans-exclusionary radical feminist, a term used for a group of people who argue that a transgender woman’s biological sex determines her gender and can’t be changed.

“The Closer” has thrust Netflix into difficult cultural debates, generating the kind of critical news coverage that usually attends Facebook and Google.

Several organizations, including GLAAD, the organization that monitors the news media and entertainment companies for bias against the L.G.B.T.Q. community, have criticized the special as transphobic. Some on Netflix’s staff have argued that it could incite harm against trans people. This week, the company briefly suspended three employees who attended a virtual meeting of executives without permission, and a contingent of workers has planned a walkout for next week.

A discussion this week on an internal Netflix message board between Reed Hastings, a co-chief executive, and company employees suggested that the two sides remained far apart on the issue of Mr. Chappelle’s special. A transcript of the wide-ranging online chat, in which Mr. Hastings expressed his views on free speech and argued firmly against the comedian’s detractors, was obtained by The New York Times.

One employee questioned whether Netflix was “making the wrong historical choice around hate speech.” In reply, Mr. Hastings wrote: “To your macro question on being on the right side of history, we will always continue to reflect on the tensions between freedom and safety. I do believe that our commitment to artistic expression and pleasing our members is the right long term choice for Netflix, and that we are on the right side, but only time will tell.”

He also said Mr. Chappelle was very popular with Netflix subscribers, citing the “stickiness” of “The Closer” and noting how well it had scored on the entertainment ratings website Rotten Tomatoes. “The core strategy,” Mr. Hastings wrote, “is to please our members.”

Replying to an employee who argued that Mr. Chappelle’s words were harmful, Mr. Hastings wrote: “In stand-up comedy, comedians say lots of outrageous things for effect. Some people like the art form, or at least particular comedians, and others do not.”

When another employee expressed an opinion that Mr. Chappelle had a history of homophobia and bigotry, Mr. Hastings said he disagreed, and would welcome the comedian back to Netflix.

“We disagree with your characterization and we’ll continue to work with Dave Chappelle in the future,” he said. “We see him as a unique voice, but can understand if you or others never want to watch his show.”

He added, “We do not see Dave Chappelle as harmful, or in need of any offset, which we obviously and respectfully disagree on.”

In a note to employees this week, Ted Sarandos, Netflix’s other co-chief executive, expressed his unwavering support for Mr. Chappelle and struck back at the argument that the comic’s statements could lead to violence...

More.

 

'The Night House' Review (VIDEO)

Super, scary, scintillating.

A modern-day psychological thriller, and worth your time.

At the L.A. Times, "Review: Rebecca Hall keeps the tension building in ‘The Night House’."

'The Queen's Gambit' Turning Out to Be the Most-Watch Series Netflix Has Ever Shown

I'm trying to cut down on the number of shows I'm streaming --- or else I'll have time for nothing else, man. You can get sucked into non-stop streaming pretty fast when you're facing endless Democrat Party lockdowns. 

I'm watching football today, but maybe I'll sample episode one tonight. 

At AoSHQ, "Saturday Afternoon Chess thread 11-28-2020."

And at the Guardian U.K., "'It's electrifying': chess world hails Queen's Gambit-fuelled boom."

Prince Harry and Meghan Markle Reportedly Insisted That Netflix End 'The Crown' Before It Gets to Their Drama

Well, those spoiled little f*cking brats. 

Piers Morgan's show at the video. 

And at Marie Claire:

--- When they signed their massive deal with Netflix, Prince Harry and Meghan Markle shocked a lot of royal fans who were surprised they would work with the streaming giant, which produces the royal drama The Crown.

--- According to royal biographer Angela Levin, Harry confided in her two years ago that the royal family did indeed watch the series, but that he was determined to make sure it stopped before it got to his adult life and relationship with Meghan Markle.

--- Although Harry and Meghan reportedly used their position as partners with Netflix to insist that The Crown end before it got to their royal drama, Levin fears the strategy might backfire and that Netflix might actually end up "getting a lot of information that will absolutely decry the royal family" from the Sussexes.

More.

 

Jim Gaffigan, Donald Trump, and the Death of Laughter

At WSJ, "A family-friendly comedian unleashes an obscene rant against the president—and insults his own fans":

During the final night of the Republican National Convention last week, Mr. Gaffigan delivered a profane Twitter rant against President Trump: “I dont give a f— if anyone thinks this is virtue signaling or whatever. We need to wake up. We need to call trump the con man and thief that he is.”

There was more. Along these lines. You could look it up.

The sheer partisan rancor surely shocked many of Mr. Gaffigan’s fans. Yet the foul language was the real surprise—and, to some, the disappointment. Mr. Gaffigan’s success was built in part on his family-friendly reputation. He works clean—unlike most of his peers, he doesn’t swear during his act. More, he and his wife, Jeannie, have five children. Their willingness to identify publicly as faithful Catholics makes them a rarity in the entertainment business. In 2015 he was invited to “open” for Pope Francis during the pontiff’s visit to Philadelphia. Dave Chappelle and Louis C.K. don’t get those gigs...

RTWT.

Brad Pitt is the Man

I love this guy.

The skit's not that funny, actually, but the context is. Dr. Fauci wanted Pitt to impersonate him on 'SNL' and got his wish.

Fauci's came under intense fire from conspiracy-minded bottom-dwellers, and a while back he got a majority security upgrade, including armed federal marshals taking posts outside his home. 

At HuffPo:

The coronavirus task force doctor critiqued the Oscar-winning actor's performance on "Saturday Night Live." https://t.co/qwKnKqJB6e

— HuffPost (@HuffPost) April 28, 2020

And 'SNL':

And now, a message from Dr. Anthony Fauci. #SNLAtHome pic.twitter.com/LYemNAWaAT

— Saturday Night Live - SNL (@nbcsnl) April 26, 2020