Newsmax Ratings Climb After Tucker Carlson’s Exit at Fox

I tried watching Newsmax last summer and I was bored out of my mind. I doubt they'll ever be a peer-competitor network to Fox, but if the latter keeps imploding, you never know. 

At the New York Times, "The niche conservative news channel is still small compared with Fox News, but its viewership has doubled and in some time slots even tripled since Tucker Carlson was dismissed":

Newsmax, the niche conservative news channel that has long played David to Fox News’s Goliath, has seized on Tucker Carlson’s shock dismissal from its rival network and declared itself the true TV home for right-wing Americans.

So far, the strategy is showing some promise.

Viewership of Newsmax remains far below that of Fox News. But its audience at certain hours has doubled, and in some time slots tripled, in the immediate aftermath of Mr. Carlson’s exit — an abrupt spike that has turned heads in conservative circles and the cable news industry.

On Monday evening, Eric Bolling’s 8 p.m. Newsmax program drew 531,000 viewers, according to Nielsen. One week earlier, it had 146,000. On Tuesday, Mr. Bolling’s audience grew to 562,000 viewers, equal to about 80 percent of Anderson Cooper’s CNN viewership that evening. Newsmax’s other prime-time shows also experienced big jumps.

The sharp rise in viewership can be timed almost to the minute of Fox News’s announcement on Monday that it was parting ways with Mr. Carlson, in part because of private messages sent by the anchor that included offensive and crude remarks.

Executives at Newsmax quickly sensed an opportunity.

Starting on Monday, Newsmax programming has aggressively pushed a narrative that Mr. Carlson’s dismissal was a capitulation to the left by Fox News and the Murdoch family.

One pundit mused on the air that Lachlan Murdoch, the executive chairman of the Fox Corporation, was “much more liberal” than his father, Rupert. Andrew Napolitano, a Newsmax pundit who was fired by Fox News in 2021 over a harassment allegation, said Fox News dismissing its top-rated anchor “is like the 1927 Yankees firing Babe Ruth for his table manners — I don’t get it.”

Anchors and guests harped on a recent appearance by Representative Alexandria Ocasio-Cortez, a New York Democrat, in which she called for Mr. Tucker’s firing. “A.O.C. speaks, and now Fox listens,” grumbled the Newsmax anchor Chris Salcedo. “These really are end times.”

By Thursday morning, the network was inviting viewers to vote in a poll: “Is it right for Fox News to fire Tucker Carlson?”

“Fox has been moving to embrace more of an establishment position,” Newsmax’s chief executive, Christopher Ruddy, said in an interview on Thursday. “They want to renounce some of the Trumpisms and populist MAGA stuff that Tucker was echoing.” Mr. Ruddy said he preferred to “embrace all sides of the Republican Party.”

Over all, Newsmax remains a ratings minnow. On Tuesday evening, “Hannity” on Fox News drew 2.1 million viewers; “The Ingraham Angle” attracted 1.6 million. Fox News has pointed to Nielsen data showing that in the first three months of the year, it was the highest-rated network across all of cable TV. And the network has bounced back from losing stars like Bill O’Reilly and Glenn Beck.

But the absence of Mr. Carlson, its biggest prime-time star, has been felt.

On Tuesday, Fox News lost to both CNN and MSNBC in the 8 p.m. hour among adults ages 25 to 54, an exceedingly rare defeat for the network in the key demographic for cable news advertisers. The “Fox & Friends” co-host Brian Kilmeade, sitting in for Mr. Carlson, fell short to Mr. Cooper on CNN and Chris Hayes on MSNBC in that coveted demographic, although he was first in total viewership.

Newsmax is surging shortly after Fox News paid $787.5 million to settle a defamation lawsuit brought by Dominion Voting Systems, an election technology firm. Evidence in that case showed that Fox News executives were deeply concerned by Newsmax’s growth after the 2020 election, when President Donald J. Trump denounced the Murdoch-owned network for its projection that Joseph R. Biden Jr. would win Arizona.

At the time, Newsmax saw a burst in viewership, even recording higher ratings than the Fox News anchor Martha MacCallum one evening in December 2020. (Ms. MacCallum was switched to a different time slot not long afterward.) But its audience eventually shrank. And despite Mr. Trump’s complaints, Fox News continued as the undisputed ratings king of cable news, powered in part by Mr. Carlson’s increasingly provocative program.

So would Mr. Ruddy consider hiring the now-former Fox anchor for Newsmax? ...

Still more.

 

Justine Bateman Defends Her 'Old Face' (the Decision to Grow Old Naturally and Forego Cosmetic Surgery, Etc.)

She says she doesn't give a s***, but you know she does. Why is this even news?

See, "Justine Bateman confronts obsession with her ‘old’ face: ‘I don’t give a s–t’."

She appeared recently on "60 Minutes Australia."

Excerpts from the @60Mins Australia piece on being free of the fear of one’s face aging.
(Entire segment is on @60Mins’ YouTube channel)

Don’t be distracted from all the opportunities coming your way.
Read @FACE_the_book for more.https://t.co/qGDP9IDOxB pic.twitter.com/Chv012SJCy

— Justine Bateman (@JustineBateman) March 21, 2023

Woody Harrelson's Opening on Saturday Night Live (VIDEO)

I saw articles saying his opening monologue was controversial --- it spread "anti-vaccine" conspiracies. 

So much bullshit. The guy's a genius. Hilarious. 

WATCH:

Pittsburgh Steelers Running Back Najee Harris Rips Microphone Out of Sideline Reporter Melissa Stark's Hands (VIDEO)

Heh.

Brazen.

The mofo is brazen.

At Total Pro Sports, "Steelers’ RB Najee Harris Snatches Microphone From Melissa Stark Following Win vs. Ravens on SNF (VIDEO)."

At 2:40 minutes below:

Mollie Hemingway, Rigged

Mollie Hemingway, Rigged: How the Media, Big Tech, and the Democrats Seized Our Elections.

The Origins of Erika Jayne's $800K Diamond Earrings — a Mystery

 At the Los Angeles Times, "Unraveling the mystery of Erika Jayne’s $800K diamond earrings — and Tom Girardi’s finances":

Not long after they started dating, Tom Girard presented cocktail waitress and aspiring actress Erika Chahoy with a pair of $800,000 diamond earrings.

“It was the first significant gift I had given her,” Girardi recalled years later to tax authorities.

The earrings set the tone for the private-jet-and-haute-couture lifestyle the pair would enjoy as a married couple.

Now, with the demise of the Girardis’ relationship and fortune, the jewelry has become a plot point in the quest to unravel the disgraced lawyer’s finances.

The trustee overseeing the bankruptcy of Girardi’s famed firm, Girardi Keese, has moved to seize a pair of diamond stud earrings, with plans to sell them to compensate cheated clients and other creditors. Erika Girardi at first agreed to relinquish them, but last month, her attorney announced that she was switching strategies and would battle for the baubles in court.

The earrings’ current location — a safe deposit box — is one of the only certain things about them. Neither the trustee nor Erika has described them in detail. There are no confirmed pictures of the jewelry, despite the star of “The Real Housewives of Beverly Hills” having been a red-carpet regular who was photographed by paparazzi as she conducted her life in Los Angeles.

When Times reporters attempted to trace the gems’ provenance, they found a tangled web of contradictions that pointed to a deeper mystery.

By his own account, Tom Girardi loved showering his third, much-younger wife with expensive jewelry.

The diamond earrings he gave her around the time of their 2000 wedding, when he was 60 and she was 28, were part of a collection that grew to include rings, bracelets, watches and other jewelry with a total value he once estimated at $15 million.

The earrings and other pieces came from M.M. Jewelers, a small shop tucked in a warren of similar outfits in downtown L.A.’s jewelry district. As a lawyer for the store’s owners, the Menzilcian family, acknowledged, “The relationship goes back a long way.”

Minding the store on a recent morning, Ared “Mike” Menzilcian said his father, 85, had a decades-long relationship with the lawyer, 83. Menzilcian declined to provide specific information as to the cut or clarity of the diamonds in the earrings, but he said the two stones — one for each ear — were “near flawless,” adding, “They were extremely large.”

Erika Girardi possessed the earrings until at least 2007, when she embarked on a career, bankrolled by her husband, as pop singer “Erika Jayne,” according to court records...

Also, "Tom Girardi’s epic corruption exposes the secretive world of private judges."

ABC Considers Jan. 6 Whistleblower Cassidy Hutchison For 'The View'

She's going to be a television rock star pundit.

Not sure how long she'd make on The View, though. The women on the show who've held the "conservative seat" previously --- Abbey Huntsman, Jedediah Bila, and Meghan McCain, for example --- have quit after having enough of Joy, Sunny, Whoopie, and the other left-wing nut-job on the panel. (*Eye-roll*.)

At Radar Online, "ABC Mulls Whether to Screen Test Jan. 6 Whistleblower Cassidy Hutchison As Conservative Pundit On 'The View'."

Bill Maher: 'We Will All Be Gay in 2054' (VIDEO)

Bill Maher at his finest. 

Donna Brazile, one of Friday's guests, was not pleased. Nor was Glaad, for that matter. 

WATCH:

Washington's 'Forever Flu' Fleeced Americans (VIDEO)

I don't say this kind of thing often, but this man is fucking brilliant. 

Bill Maher last night on "Real Time":

MSNBC's Joy Reid Completely Tanked in April

I have actually never watched her show. I see too many people posting her deranged racist idiocy on Twitter. That's more than enough.

Turns out I'm not the only one. Maybe she's become even more deranged, racist, and idiotic in recent weeks, as it's become clear the left is in *a lot* of trouble this year.

At Fox News, "MSNBC’s Joy Reid has lowest-rated month ever, sheds 51% of debut audience from 2020: Poor viewership didn’t stop the MSNBC host from making headlines with outlandish comments."

Netflix, Facing Reality Check, Vows to Curb Its Profligate Ways

It's funny, because I just haven't been watching *anything* on Netflix of late. I like news, movies, sports. It's got to be a very good streaming series for me to invest the time to binge watch or view over multiple seasons. 

I actually watched the first season of "Euphoria," but that was on HBO. I'm too busy with school right now in any case. Summertime is when I have the time to watch a lot of television (though I did see "Passion of the Christ" on Netflix before Holy Week just past). 

I'm not canceling my subscription just yet, but honestly, I use Amazon Prime more frequently these days. 

Oh well.

At the Wall Street Journal, "Streaming service spent lavishly on productions to win subscribers, but now growth has slowed":

For Netflix Inc., the era of carefree spending is over.

The streaming giant ran up a huge bill over the past several years as it expanded across the globe and produced a mountain of programming, prioritizing growth over cost efficiency. Now the company is imposing more financial discipline, according to senior executives.

The shift comes as competition from an array of streaming rivals begins to take a toll, a new reality that was evident in first-quarter results announced Tuesday. The company lost subscribers for the first time in over a decade, and revenue grew at its slowest pace in years. Shares plunged 35%, the stock’s second-worst one-day decline ever, erasing $54 billion in market value.

“Well, it’s a bitch,” Netflix Chairman and Co-Chief Executive Reed Hastings said of the results while addressing employees in a town hall on Wednesday afternoon, according to people familiar with his remarks.

After churning out over 500 original programs last year, Netflix is looking to add fewer new titles, with a greater emphasis on quality, people familiar with the company’s strategy said. It is revamping production deals to limit its risk, and prioritizing programs with the biggest return, not the greatest reach, the people said. A key internal metric: the ratio of a program’s viewership to its budget.

“We should right-size budgets depending on what the creative dictates, and what the size of the audience is,” Bela Bajaria, the head of global TV for Netflix, said in a recent interview.

She said when Netflix first started making original programs it had no track record and had to make outsize bids to land “House of Cards” and other high-profile shows. “That was the cost of entry, the cost of doing business,” Ms. Bajaria said.

Netflix executives said the company expects to continue to grow spending on content to more than $20 billion this year while scrutinizing it more closely. Ms. Bajaria said that doesn’t mean the service will go cheap on production. “We’re always going to make great shows and have the amount of money needed for the creator’s vision,” she said.

As it looks to rein in costs, Netflix is also exploring new ways to boost revenue. In January, the company said it was raising prices in the U.S. and Canada. On Tuesday’s earnings call, Mr. Hastings said Netflix is exploring adding a lower-priced, ad-supported version of the service to court cost-conscious viewers. And, after blaming password-sharing for limiting its growth, Netflix says it is looking to “monetize” the practice.

The newfound focus on content costs is causing tensions with Hollywood’s producers and show runners, who have benefited from the streamer’s largess. Netflix’s tendency to give shows a quick hook when it believes they aren’t delivering a return is another sore spot with producers and creators. Some producers say Netflix needs to be more aware of its competitive environment, and factor in the programming rivals are launching when deciding when to release its own shows.

“If there is anything I would say is a fault of Netflix, it is that they are so insular. They may not see what’s going on outside their walls or they know and the hubris is so great they don’t care,” said Jeff Fierson, whose credits for Netflix include the movie “Sweet Girl” and the short-lived series “Daybreak.”

Mr. Fierson noted that “Daybreak”—a show about teens in a post-apocalyptic Los Angeles—made its debut close to the premiere of Disney+’s “The Mandalorian” and the debut of the Apple TV+ streaming service.

Warning sign Netflix still leads the pack in streaming video with more than 220 million subscribers. But its recent turbulence has rattled Wall Street, causing investors to question how big the pot of gold is in the streaming wars. Shares in Paramount Global, which operates the Paramount+ streaming service, fell 7% on Wednesday, while shares in Walt Disney Co., owner of Disney+, fell 5% and shares in Warner Bros. Discovery, owner of HBO Max, fell 5%.

Disney+, Netflix’s closest rival with 130 million subscribers globally, is starting to feel some pressure as well. The company launched a low-cost, ad-supported tier to boost subscribers. It is broadening beyond the “Star Wars” and “Marvel” programming that has anchored Disney+, hoping to reach new audiences and be better positioned to achieve its target of between 230 million and 260 million subscribers by the fall of 2024. The ABC show “Dancing with the Stars,” which appeals primarily to an older audience, will move exclusively to Disney+ starting this fall.

All streaming players are learning that adding new subscribers is getting much harder, especially in the mature U.S. market. Every service is under pressure to create a steady flow of new shows and movies to draw in new subscribers and retain existing ones. The hope is that every once in a while they’ll score a big hit like Netflix did with “Squid Game,” “Tiger King” and “Queen’s Gambit.”

Veteran media analyst Michael Nathanson, who has raised concerns about the prospects for major players in streaming, said consolidation that reduces the number of competitors might relieve some pressure, but “for the time being, this is a pretty capital-intensive business.”

Some producers and writers say they are frustrated by inconsistent guidance from streaming services, which are always looking for a new formula to attract more subscribers. “As creative people we are getting whipsawed. There is not a mission statement that sticks around for more than a couple of months,” said producer Mike Royce, whose credits include the Netflix reboot of “One Day at a Time.”

When Netflix first introduced original programming to its platform a decade ago, its pitch to creators was that there would be little interference from the “suits” and no worries about ratings. In recent years the company has spent hundreds of millions of dollars signing superstar producers including Shonda Rhimes and Ryan Murphy, setting off a talent arms race among Hollywood studios.

Now, the service has a never-ending conveyor belt of new content. Shows have a window of several weeks to find their audience or they are canceled, meaning they usually aren’t promoted on the home page and become harder for viewers to find. Netflix executives say the company’s cancellation rate is on par with that of rival streamers, and of broadcast and cable networks...

 

Melissa Stark Hired to Replace Michele Tafoya on NBC's Sunday Night Football

I remember Ms. Melissa from back in the day, when she did sideline reporting for Monday Night Football on ABC, from 2000-2003.

An absolutely lovely and awesome replacement for her predecessor, (conservative) Michele Tafoya, who's now gone into politics.

At the New York Post, "Melissa Stark hired to replace Michele Tafoya in ‘Sunday Night Football’ surprise."

Will Smith Expelled from the Academy of Motion Picture Arts and Sciences

The headline claims he resigned, but when you read his comments, it's clear the Academy left him with no other choice. 

At the New York Times, "Will Smith Resigns From Academy After Slapping Chris Rock at Oscars":

The producer of the telecast said that Smith had been asked to leave after slapping Rock, and that he had urged officials not to “physically remove” him.

LOS ANGELES — Will Smith, who slapped the comedian Chris Rock at the Oscars, said Friday that he was resigning from the Academy of Motion Picture Arts and Sciences, saying that he had “betrayed” its trust with conduct that was “shocking, painful, and inexcusable.”

The sudden announcement came late Friday afternoon, days after the Academy had condemned Mr. Smith’s actions and opened an inquiry into the incident.

“I have directly responded to the Academy’s disciplinary hearing notice, and I will fully accept any and all consequences for my conduct,” he said in a statement on Friday.

“I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work,” he said in the statement. “I am heartbroken.”

He said that he would “accept any further consequences the board deems appropriate.”

“Change takes time,” he concluded, “and I am committed to doing the work to ensure that I never again allow violence to overtake reason.”

Now that he has resigned, Mr. Smith will no longer have access to academy screenings and events. He will also not be able to vote in the Academy Awards. However, he could still be nominated for an award, since being a member is not a requirement for eligibility.

Mr. Smith’s resignation came roughly 12 hours after Will Packer, the lead producer of the Oscars telecast, spoke publicly about the episode for the first time.

In an interview with Good Morning America” on ABC, the network which also broadcasts the Oscars, Mr. Packer said that after Mr. Smith had been asked to leave the ceremony, he urged the Academy leadership not to “physically remove” him from the theater in the middle of the live broadcast.

Mr. Packer said he had learned from his co-producer, Shayla Cowan, that there were discussions of plans to “physically remove” Mr. Smith from the venue. So he said he immediately approached academy officials and told them that he believed Mr. Rock did not want to “make a bad situation worse.”

“I was advocating what Rock wanted in that time, which was not to physically remove Will Smith at that time,” Mr. Packer said. “Because as it has now been explained to me, that was the only option at that point. It has been explained to me that there was a conversation that I was not a part of to ask him to voluntarily leave.”

In the interview, Mr. Packer also said that Mr. Rock’s joke about Jada Pinkett Smith’s hair was unscripted “free-styling.”

“He didn’t tell one of the planned jokes,” he said of Mr. Rock.

Someone close to Mr. Rock who asked to speak anonymously because the Academy’s inquiry into the incident is ongoing said that Mr. Rock was never asked directly if he wanted Mr. Smith removed. Had he been asked, it was not clear how Mr. Rock would have responded, the person said. Mr. Rock was only asked if he wanted to press charges, and he said that he did not, the person said...

 

The Left Doesn't Want to Diddle Your Kids

I said basically the same thing the other day, with a similar explanation in brief, here: "'Real Time' Panel Discusses Florida's 'Don't Say Gay' Legislation (VIDEO)." 

Oh sure, there are definitely a few heinous groomers around here or there. 

They're evil. But in toto, the left is gunning for ideological hegemony over all of U.S. politics and culture, which Andrew Breitbart perceptively warned about years ago. Honestly, it may be too late to turn back the tide, so you have to put up pockets of resistance, like I do with my college students. I do a *ton* of ideological deprogramming. Young people don't read. Students today basically know nothing. The entertainment social media culture --- with an epidemic of youth narcissism  and privilege --- has destroyed their brains, and therefore their intellectual skills, critical thinking abilities, and the gift of perspective. So they glom onto anything that's trendy and allegedly cool. 

It's a fucking tragedy. 

In any case, I saw this dude Josh Daws on Twitter last night expounding like he was *the* expert on all of the. Okay, not too bad:

I'm seeing a lot of people on the right share this meme. While it may be a strong satirical response to those who get lost in nuance, it fundamentally fails to recognize why the left wants to talk to your kids about sexuality. Let's connect some dots. 🧵 1/23.

The left doesn't want to diddle kids. They want to create little revolutionaries. To do that they need to sever the bond between students and the parents they believe are raising their children to be hateful bigots. 2/23.

In order to sever the bond between parents and their children, the left is using a two-pronged approach. Critical Race Theory and radical gender ideology (properly known as Queer Theory) are not two unrelated sets of ideas. They are two parts of the same strategy. 3/23.

CRT is usually the first set of ideas to be introduced. This is often enough to radicalize racial minorities, but it's merely step one for white (or white adjacent) students. 4/23.

CRT instills in these students a negative self-identity as they're taught to believe they're recipients of enormous privilege that was stolen from others and that they are complicit in historic and ongoing injustice. In child terms, they're taught to believe they're bad. 5/23.

Apart from the shame and guilt, this also gives them a worldview at odds with the one their parents grew up with and are trying to pass on to their kids. Step one is complete. 6/23.

Once CRT is done tearing down these kids and leaving them with a negative self-identity, Queer Theory (QT) is introduced and offers them a wide assortment of positive self-identities to choose from. 7/23.

Instead of living with the shame and guilt of being a member of the oppressive dominant culture, these students can be celebrated for coming out as gender nonbinary or pansexual. 8/23.

In an instant, these kids can trade their negative self-identity and all the accompanying guilt and shame of being an "oppressor" for a positive self-identity as a much-venerated "oppressed" minority. 9/23.

At this point, the left desperately wants this new identity to stay at school so it has time to be cemented before the parents find out. In the guise of helping these students, schools withhold this information about their child's new identity from mom and dad. 10/23.

Once the parents do find out about their child's new identity it's firmly in place and an adversarial relationship between the child and parents has been manufactured. It takes extraordinarily deft parenting to repair the relationship once it has reached this stage. 11/23.

The parents' tendency will be to overreact and push the child further into the arms of the woke radicals who now have the little revolutionary they wanted from the beginning. The bond between parents and child has been severed ending the perpetuation of hate and bigotry. 12/23.

The left is determined to replicate this process in as many families as they can using whatever means at their disposal. It's not about diddling kids. It's about capturing the minds of impressionable children. 13/23.

Unfortunately, this creates environments where actual predators can thrive. When young children are isolated from their parents, encouraged to adopt different beliefs, and keep secrets from their parents, they are made easy targets for abusers. 14/23 "But my school has Christian teachers and a Christian principal. They couldn't possibly have this agenda." Aha. This is where we turn to @joe_rigney and connect another dot. 15/23.

Hear me loud and clear on this. Most teachers love the kids in their classrooms and want only the best for them...

Still more.

 

Governor Ron DeSantis Floats Revoking Disney Company's Independent Governing Status in Florida (VIDEO)

This is blowing up the culture war, dang!

At Fox News, "DeSantis broaches repeal of Disney World's special self-governing status in Florida":

Florida's Republican Gov. Ron DeSantis addressed on Thursday the suggestion of repealing a 55-year-old state law that allows Disney to effectively govern itself on the grounds of Walt Disney World, following the company’s public opposition to a controversial parental rights law in Florida.

"What I would say as a matter of first principle is I don’t support special privileges in law just because a company is powerful and they’ve been able to wield a lot of power," DeSantis said during a press conference in West Palm Beach, Florida on Thursday...

Laura Ingraham's video is embedded at the article, "Angle: Disney turns its back on millions of Americans."

'Real Time' Panel Discusses Florida's 'Don't Say Gay' Legislation (VIDEO)

I hate this debate. I'm just sickened by it. 

I also hate attacks on opponents as "groomers." Maybe their are some, but those at the forefront of the opposition are radical trans activists pushing cultural Marxism on society to destroy the nuclear family and incite social revolution (as if that's not happened already). "Groomer" is a bigoted attack on legitimate interest group actors, and it's puerile. 

Fucking just beat these people at the polls, damn! 

The bill, now signed into law, is called "CS/CS/HB 1557 - Parental Rights in Education," and if you read it, it's just common sense. 

Anyways I watched this episode below on HBO because Batya Ungar-Sargon was scheduled and I like her a lot. 

If you haven't yet, get your copy of Bad News: How Woke Media Is Undermining Democracy. It's an outstanding book which should be winning all kinds of awards. 

WATCH: 

Will Smith 'Perpetuated Stereotypes' About Black Americans

Following-up, "Academy Awards Condemns Will Smith and Begins Formal Review (VIDEO)."

*****

This was one of the first things I said to my wife as I was following this story on Twitter on Monday (like everyone else). 

After almost a decade of anti-police protests and Black Lives Matter riots, chaos, and destruction --- not to mention the epic surge in crime over the last year or two, especially black motherfucker "smash and grab" attacks -- people see African-Americans as violent thugs. 

And why wouldn't they? 

Will Smith is one of the top stars in Hollywood, of any race. He would have given a triumphant acceptance speech for his Best Actor win but instead got up there to credit the Lord for how wonderful he is, how deserving, beyond criticism of his actions, or whatever. He for sure did not apologize to Chris Rock until yesterday, and that was on Instagram. I don't know, but if you did someone bad, slapping him on live television with tens of millions around the world watching, hurting him and humiliating him, the decent godly thing to do is say you're sorry in person, or at least by a phone call.

That Will Smith could not do, and it pained me in the moment to think how he was simply confirming so many bigoted prejudices against blacks. 

You may not care, and I understand, but it's a tragic moment for black Americans, and the country as a whole. My dad was black and he spent most of his adult life trying not only to protect himself against racism but to defeat the stereotypes that coincided with violence and murder of people of his race. (My dad was highly educated, cultured, and professional. But he told me many stories. He was born in St. Louis in 1913 and lived through Jim Crow segregation, first in Missouri and then in Chicago and New York City, where he met my mom.)

When I was just 5-years-old I saw Lew Alcindor at the UCLA barber shop, where my dad used to take me for haircuts. This was of course before he converted to Islam in 1971, taking the name Kareen Abdul-Jabbar. Seen by many as the greatest basketball player of all time, his comments certainly carry weight. 

As his Substack, "Will Smith Did a Bad, Bad Thing"

Slapping Chris Rock was also a blow to men, women, the entertainment industry, and the Black community.

When Will Smith stormed onto the Oscar stage to strike Chris Rock for making a joke about his wife’s short hair, he did a lot more damage than just to Rock’s face. With a single petulant blow, he advocated violence, diminished women, insulted the entertainment industry, and perpetuated stereotypes about the Black community.

That’s a lot to unpack. Let’s start with the facts: Rock made a reference to Smith’s wife, Jada Pinkett Smith, as looking like Demi Moore in GI Jane, in which Moore had shaved her head. Jada Pinkett Smith suffers from alopecia, which causes hair loss. Ok, I can see where the Smiths might not have found that joke funny. But Hollywood awards shows are traditionally a venue where much worse things have been said about celebrities as a means of downplaying the fact that it’s basically a gathering of multimillionaires giving each other awards to boost business so they can make even more money.

The Smiths could have reacted by politely laughing along with the joke or by glowering angrily at Rock. Instead, Smith felt the need to get up in front of his industry peers and millions of people around the world, hit another man, then return to his seat to bellow: “Keep my wife's name out of your fucking mouth.” Twice.

Some have romanticized Smith’s actions as that of a loving husband defending his wife. Comedian Tiffany Haddish, who starred in the movie Girls Trip with Pinkett Smith, praised Smith’s actions: “[F]or me, it was the most beautiful thing I’ve ever seen because it made me believe that there are still men out there that love and care about their women, their wives.”

Actually, it was the opposite. Smith’s slap was also a slap to women. If Rock had physically attacked Pinkett Smith, Smith’s intervention would have been welcome. Or if he’d remained in his seat and yelled his post-slap threat, that would have been unnecessary, but understandable. But by hitting Rock, he announced that his wife was incapable of defending herself—against words. From everything I’d seen of Pinkett Smith over the years, she’s a very capable, tough, smart woman who can single-handedly take on a lame joke at the Academy Awards show.

This patronizing, paternal attitude infantilizes women and reduces them to helpless damsels needing a Big Strong Man to defend their honor least they swoon from the vapors. If he was really doing it for his wife, and not his own need to prove himself, he might have thought about the negative attention this brought on them, much harsher than the benign joke. That would have been truly defending and respecting her. This “women need men to defend them” is the same justification currently being proclaimed by conservatives passing laws to restrict abortion and the LGBTQ+ community.

Worse than the slap was Smith’s tearful, self-serving acceptance speech in which he rambled on about all the women in the movie King Richard that he’s protected. Those who protect don’t brag about it in front of 15 million people. They just do it and shut up. You don’t do it as a movie promotion claiming how you’re like the character you just won an award portraying. By using these women to virtue signal, he was in fact exploiting them to benefit himself. But, of course, the speech was about justifying his violence. Apparently, so many people need Smith’s protection that occasionally it gets too much and someone needs to be smacked.

What is the legacy of Smith’s violence? He’s brought back the Toxic Bro ideal of embracing Kobra Kai teachings of “might makes right” and “talk is for losers.” Let’s not forget that this macho John Wayne philosophy was expressed in two movies in which Wayne spanked grown women to teach them a lesson. Young boys—especially Black boys—watching their movie idol not just hit another man over a joke, but then justify it as him being a superhero-like protector, are now much more prone to follow in his childish footsteps. Perhaps the saddest confirmation of this is the tweet from Smith’s child Jaden: “And That’s How We Do It.” 

The Black community also takes a direct hit from Smith...

Keep reading.

 

Academy Awards Condemns Will Smith and Begins Formal Review (VIDEO)

This is the obligatory Will Smith Slaps Chris Rock at the Academy Awards Show post. 

I can't add much to all the commentary that's already been delivered, and I'm sure there's more to come. 

I wrote this last night after Will Smith accepted his Best Actor award for "King Richard," in which he invoked God in his apology, but *did not* apologize to Chris Rock at the time: "'I’m being called on in my life to love people and to protect people and to be a river to my people' — Will Smith, accepting his Academy Award after striking fellow brother Chris Rock across the face. God called on him to do that, you know."

Smith's assault on Rock has dominated the 24 hour news-cycles, and my continue to dominate for a few more days. Both astonishing and reprehensible behavior. 

At the New York Times, "Will Smith Apologizes to Chris Rock After Academy Condemns His Slap:"

“I was out of line and I was wrong,” said Smith, who hit Rock at the Oscars after the comedian made a joke about his wife. The film organization opened an inquiry into the incident.

LOS ANGELES — Will Smith apologized to the comedian Chris Rock on Monday evening for slapping him during Sunday night’s Oscars telecast after the Academy of Motion Picture Arts and Sciences, which administers the awards, denounced his actions and opened an inquiry into the incident.

Mr. Smith, who had pointedly not apologized to Mr. Rock on Sunday night when he accepted the award for best actor, wrote on Instagram Monday evening that “I would like to publicly apologize to you, Chris.”

“I was out of line and I was wrong,” he said in the statement. “I am embarrassed and my actions were not indicative of the man I want to be.”

His apology came as the academy, a major Hollywood union and others criticized his actions, which stunned viewers around the world and overshadowed the Oscars.

“The academy condemns the actions of Mr. Smith at last night’s show,” the film organization said in a statement. “We have officially started a formal review around the incident and will explore further action and consequences in accordance with our bylaws, standards of conduct and California law.”

The academy’s statement came after a meeting Monday. A five-page document on standards of conduct that accompanied it spells out behavior the organization deems unacceptable. It prohibits “physical contact that is uninvited and, in the situation, inappropriate and unwelcome, or coercive sexual attention.” Also not allowed is “intimidation, stalking, abusive or threatening behavior, or bullying.”

Disciplinary action, according to the bylaws, could include “suspension of membership or expulsion from membership.”

The Academy was not known to have expelled a member before 2017, when Harvey Weinstein was removed amid allegations of sexual harassment and rape. Then, in 2018, after adopting a code of conduct for members, the organization expelled Bill Cosby, who had been convicted of sexual assault, and the filmmaker Roman Polanski, who had fled the country years earlier while awaiting sentencing for statutory rape.

The Screen Actors Guild-American Federation of Television and Radio Artists, the union representing thousands of people who work in film, television and radio, called the incident “unacceptable” but said that it “does not comment on any pending member disciplinary process.” “Violence or physical abuse in the workplace is never appropriate and the union condemns any such conduct,” the union said in a statement Monday. “The incident involving Will Smith and Chris Rock at last night’s Academy Awards was unacceptable.”

The incident unfolded Sunday night after Mr. Rock made a joke about the buzzed hair of Mr. Smith’s wife, Jada Pinkett Smith, who has alopecia, a condition that leads to hair loss. Mr. Smith responded by walking onto the stage of the Dolby Theater and slapping Mr. Rock, leaving stunned viewers wondering at first if the blow might have been scripted until Mr. Smith returned to his seat and warned him to stop talking about his wife, using expletives.

Behind the scenes at the Oscars, there were serious discussions about removing Mr. Smith from the theater, according to two industry officials with knowledge of the situation who were granted anonymity to describe internal deliberations. But time was short, because the best actor award, which Mr. Smith was heavily favored to win, was fast approaching, one noted — and stakeholders had varying opinions on how to proceed. There was also concern about further disrupting the live broadcast, the other said.

As the show went on, the actor Denzel Washington spoke with Mr. Smith during a commercial break. Not long after that Mr. Smith won best actor. (Mr. Smith said in his speech that Mr. Washington had told him: “At your highest moment, be careful. That’s when the devil comes for you.”) In his onstage remarks, Mr. Smith apologized to the academy and to his fellow nominees — but not to Mr. Rock — and defiantly sought to draw parallels to the character he played in “King Richard,” the father of Venus and Serena Williams.

“Richard Williams was a fierce defender of his family,” Mr. Smith said. 

He received a standing ovation.

American society is completely (and perhaps irrevocably) degenerate.  

See Allahpundit for lots more, "No, Will Smith isn't going to lose his Oscar."

Batya Ungar-Sargon on 'Real Time with Bill Maher'

She appeared last night, "Catch Up on the Latest."

On Twitter.

Tucker Carlson: 'What We're Watching is the Beginning of a War Between the United States and Russia' (VIDEO)

I quit watching Tucker last year, after he started getting so freakin' conspiratorial. He was great in 2020 when the pandemic just got going, but after Trump lost the election, it was crazy times at 6:00pm at Fox.

Make what you will of it: