Showing posts with label Natalie Portman. Show all posts
Showing posts with label Natalie Portman. Show all posts

Sunday, March 20, 2022

Sunday, September 29, 2019

Natalie Portman at the 'Lucy in the Sky' Premiere

At Popoholic:


Monday, September 7, 2015

Natalie Portman is Wrong, Scarlett Johansson Right on Boycotts of Israel

Well, I used to have Ms. Portman down as a hot neocon, but she's become too much of an Obama-cultist these last few years.

Not so with Scarlett Johansson. She's been a voice of moral clarity on Israel.

See the report at Truth Revolt.

Natalie Portman and Scarlett Johansson photo dwf6sdy_zpsnfsl5spd.jpg

Thursday, August 13, 2015

Natalie Portman's New Love

Natalie Portman helped launch Rule 5 blogging way back in 2008. See, "Natalie Portman Gets Results!"

And Ms. Portman made the cover of July's Harper's Bazaar, "The actress on fashion, family, directing her first movie, and learning to live on the bright side."

Natalie Portman's New Love photo 1436214058-hbz080115-cover-ns_zps06f4w2wj.jpg

Tuesday, March 5, 2013

Natalie Portman's Miss Dior Commercial

ICYMI during the Oscars.

She's fabulous:


At Dior's page here as well.

Friday, January 25, 2013

Benjamin Millepied Will Be New Director of Paris Opera Ballet

An interesting piece at the New York Times, "Paris Opera Ballet Picks Outsider for New Director." I like this part:
Mr. Millepied will inherit one of the world’s greatest classical troupes. It has 150 dancers, a complex hierarchy of ranking and promotions and the sizable weight of history: the company is effectively an outgrowth of the very beginnings of ballet at the court of Louis XIV. Its dancers almost all come from the Paris Opera Ballet school, and they rarely leave to dance elsewhere once they have achieved a coveted position in the company.

They are also civil servants, with long-term contracts that run until their mandatory retirement, with pension, at 42. And with the notable exception of Ms. Lefèvre, directors tend to drop like flies at the Paris Opera. Even Rudolf Nureyev lasted only six stormy, if productive, years in the 1980s, while directors like John Taras and Violette Verdy managed just a few seasons.

The byzantine politics, scale and bureaucracy of the Paris Opera are worlds away from Mr. Millepied’s professional experience. He has long put together touring groups, and even at the peak of his dancing career was an indefatigable organizer of small choreographic projects and festivals with musicians and artists. He is a prolific choreographer who has created works for major companies (including American Ballet Theater, City Ballet and the Paris Opera Ballet), and his public profile is high, thanks partly to his work on the Darren Aronofsky film “Black Swan” and his subsequent marriage to its star, Natalie Portman.

But his new company, the L.A. Dance Project, which made its debut in September in Los Angeles, is small and experimental in orientation. (Mr. Millepied said he planned to continue running the L.A. Dance Project until he began his new job, when he would move to Paris with Ms. Portman and their son. He said he hoped the company, which has a budget guaranteed for the next three years, would continue.)

“It is always a gamble,” Ms. Lefèvre said in a telephone interview. “I imagine people had something to say when I arrived. But he has a real artistic sensibility and an admirable curiosity. He will have to find his own way between innovation and the house traditions.”

Asked about making the transition from project-based director and choreographer to director of an institution as vast as the Paris Opera, Mr. Millepied smiled.

“I am not entirely a foreigner,” he said. “I did grow up in France, and even though I didn’t go to the school or dance with the Paris Opera Ballet, I absorbed similar ideas in my training. I understand the scale of a big company. I danced for one for almost 20 years. I think it’s an asset that I have absorbed other traditions and had other experiences in the U.S., which I can bring to the dancers here.” He added, “But of course I have a lot to learn about this company and its very remarkable and specific qualities.”
And speaking of Ms. Portman, see London's Daily Mail, "Is Natalie Portman quitting Hollywood? Actress's husband Benjamin Millepied accepts prestigious ballet job in Paris."

Monday, October 22, 2012

Hot Momma! Natalie Portman Smokin' Film Set Photos From New Terrence Malick Movie

Another round of pre-debate Rule 5, via London's Daily Mail, "Hot momma! Natalie Portman sizzles on the set of her latest film as she cozies up to Michael Fassbender."

And recall that Ms. Portman was my original Rule 5 hottie, "Natalie Portman Gets Results!"

Even Robert Stacy McCain was impressed, "Natalie Portman on a slim pretext."

And speaking of the Other McCain, from yesterday, "Rule 5 Sunday: Pulchritudinous Power Hour."

I'll have some post-debate analysis later...

Friday, September 7, 2012

Scarlett Johansson's Speech to the Democrat National Convention

I would have preferred Natalie Portman. And I'm interested to know why she didn't speak after all. I wouldn't be surprised if some off those "reviled" Jewish neocons --- so despised by the Democrat left --- talked her out of it.

Saturday, August 25, 2012

Natalie Portman to Campaign for Barack Hussein

I'm surprised, actually. She's a Jewish neocon.

At the Hollywood Reporter, "Natalie Portman to Campaign for Obama in Nevada."

Natalie Portman

Friday, March 4, 2011

Mike Huckabee Walks Back Natalie Portman Criticism

Huckabee screwed up.

The Other McCain has the story, "
Huckabee: ‘Hey, Maybe I Shouldn’t Have Trash-Talked Luke Skywalker’s Mom’" (at Memeorandum and Politico):

Natalie Portman Oscars

We have no reason to believe that Natalie Portman became pregnant with any intention of “making a statement” or “pushing the envelope.” If Huckabee, the former Baptist minister, wishes to condemn fornication and bastardy, or to talk about the societal impact of our nation’s epidemic of fatherlessness, OK. But why drag the Star Wars star into this argument? Portman was already catching grief from the feminist ax-grinders for having declared motherhood “the most important role of my life.”

Good rule of thumb in politics: Find out what side of the issue feminists are on, and get on the other side. (If feminists ever bothered to denounce Islam’s brutal oppression of women, I might have to consider joining the Taliban. But feminists are too busy whining about “pay equity” to notice that Muslims are still stoning women to death under sharia law and forcing girls into arranged marriages.)

More at the link.

And for the "feminist ax-grinders," check Mary Elizabeth Williams, at Salon, "Is Motherhood Natalie Portman's 'Greatest Role'?"


Tuesday, March 1, 2011

Natalie Portman Condemns Dior Designer for Anti-Semitic Slurs

At Jerusalem Post, "Portman condemns Dior designer for anti-Semitic words." And New York Times, "Natalie Portman Condemns Galliano‎":

The actress Natalie Portman, who has an endorsement contract with Dior for its Miss Dior Cherie fragrance, has strongly condemned its chief designer, John Galliano, for anti-Semitic remarks after a video surfaced of Mr. Galliano appearing to deliver a tirade in a Paris bar. In a separate incident, he was accused of verbally abusing a French couple last week in the bar. He was suspended Friday from Dior.

In a statement released Monday evening in Los Angeles, Ms. Portman said: “I am deeply shocked and disgusted by the video of John Galliano’s comments that surfaced today. In light of this video, and as an individual who is proud to be Jewish, I will not be associated with Mr. Galliano in any way. I hope at the very least, these terrible comments remind us to reflect and act upon combating these still-existing prejudices that are the opposite of all that is beautiful.”
RELATED: The Other McCain on Natalie Portman and feminist ax-grinders, "‘The Most Important Role of My Life’."

Tuesday, February 1, 2011

Pregnant Natalie Portman on the Red Carpet at SAG Awards

We temporarily interrupt our Egypt reporting to bring you the fabulous Natalie Portman at the Screen Actors Guild Awards. Can't pass that up:

And from LAT, "'The King's Speech' continues its reign at SAG Awards," and "SAG Awards red carpet."

Rule 5 Related: POWIP, "Christina Hendricks’ Ethical Body."

Until Later: The Other McCain has a morning roundup in Egypt, "
Massive New Protests in Egypt." And at Maggie's Notebook, "Gauntlet Thrown in Egypt? ElBaradei to Represent Protesters to US?"

Thursday, December 30, 2010

Everyone Loves Lesbian Sex Scenes!

Says the newly pregnant Natalie Portman at People Magazine.

Friday, December 17, 2010

Black Swan: Dark Side of Perfection

That's the thesis at this review, and at NYT, "On Point, on Top, in Pain."

Saw it earlier this evening. A great thriller, both sensuous and taut. Natalie Portman nails it:


Saturday, March 8, 2008

Natalie Portman Gets Results!

Natalie Portman

This post is mainly just a chance to write about Natalie Portman. I mean she personifies eye candy!

She's also an extremely interesting young woman (a Harvard graduate who was initially rejected for her first movie role - in The Professional - but persisted until offered the part).

Well it turns out Portman's got a little lobbying muscle up on Capitol Hill. She's been working on microfinance issues, and made a splash in recent congressional testimony.

The New York Times has the story:

In 2004, Natalie Portman, then a 22-year-old fresh from college, went to Capitol Hill to talk to Congress on behalf of the Foundation for International Community Assistance, or Finca, a microfinance organization for which she served as “ambassador.” She found herself wondering what she was doing there, but her colleagues assured her: “We got the meetings because of you.” For lawmakers, Natalie Portman was not simply a young woman — she was the beautiful Padmé from “Star Wars.” “And I was like, ‘That seems totally nuts to me,’ ” Portman told me recently. It’s the way it works, I guess. I’m not particularly proud that in our country I can get a meeting with a representative more easily than the head of a nonprofit can.”

Well, who is? But it is the way it works. Stars — movie stars, rock stars, sports stars — exercise a ludicrous influence over the public consciousness. Many are happy to exploit that power; others are wrecked by it. In recent years, stars have learned that their intense presentness in people’s daily lives and their access to the uppermost realms of politics, business and the media offer them a peculiar kind of moral position, should they care to use it. And many of those with the most leverage — Bono and Angelina Jolie and Brad Pitt and George Clooney and, yes, Natalie Portman — have increasingly chosen to mount that pedestal. Hollywood celebrities have become central players on deeply political issues like development aid, refugees and government-sponsored violence in Darfur.
Portman's made her celebrity impact in microlending, small-scale credit financing in Third World countries, whereby the world's poor get loans for start-up businesses.

(Microlending's a great thing in principle, although unscrupulous lenders in the developing world have turned microfinance opportunities into the next subprime frontier).

Perhaps Portman will join Angelina Jolie in backing a long-term American commitment to Iraq. Now that'd be a great use of Hollywood firepower!

Photo Credit: Los Angeles Times