Saturday, November 5, 2016

Donald Trump and the End of American Exceptionalism

Blah, blah, blah.

Here's yet another leftist screed warning about the dangers of Donald Trump and Trumpism. These screeds have been polluting the web with an increasing frequency this last few weeks. That's how frightened the political class has become.

From Jelani Cobb, at the New Yorker:
In the sixteen months since he declared his candidacy, Donald Trump’s Presidential campaign has elicited comparisons to those of George Wallace and Barry Goldwater, to the hallucinatory paranoia of Joseph McCarthy, to the fascist preoccupations of Charles Lindbergh, and to lesser lights of American demagoguery like Father Coughlin and the Know-Nothings of the nineteenth century.

The unifying theme among these figures, beyond their disdain for democracy, was their common residence in the loser’s aisle of American history. McCarthy’s conspiratorial manipulation of the public eventually earned him the enmity of both Republicans and Democrats and a vote in the Senate to censure him. Wallace carried just five states and garnered thirteen per cent of the popular vote. Goldwater lost to Lyndon Johnson by sixteen million popular votes, winning just fifty-two Electoral College votes to Johnson’s four hundred and eighty-six. Richard Hofstadter’s 1964 classic “The Paranoid Style in American Politics” charted the lunatic genealogy of fringe movements dating back to the early years of the Republic, but the more sanguine assessment of that lineage is that few of these movements—anti-Catholicism, anti-Freemasonry, or Know-Nothingism, for instance—managed to sustain themselves in the long term or to fully inhabit the political mainstream.

Goldwater is heralded as the father of modern conservatism, but he could occupy that niche only because successive generations of his heirs refined and streamlined his message, buffing away the elements that the public saw as extremist. The modern Republican Party staked its claim on conservatism, not on Goldwaterism.

All this points to yet another reason why Trump represents a unique danger in American politics. Trumpism does not seek simply to make a point and pass on its genes to more politically palatable heirs, nor is it readily apparent why he would need to settle for this. When George Will announced his departure from the G.O.P., last summer, he offered a modified version of Ronald Reagan’s quote about leaving the Democrats—“I didn’t leave the Party; the Party left me.” But a kind of converse narrative applies to Trump; he didn’t join the Republican Party so much as its most febrile elements joined him. Trump is partly a product of forces that the G.O.P. created by pandering to a base whose dilated pupils the Party mistook for gullibility, not abject, irrational fear that would send those voters scurrying to the nearest authoritarian savior they could find. The error was in thinking that this populace, mainlining Glenn Beck and Alex Jones theories and pondering how the Minutemen would have fought Sharia law, could be controlled. (For evidence to the contrary, the Party needed look no further than the premature political demise of Eric Cantor.) The old adage warns that one should beware of puppets that begin pulling their own strings.

In this light, Trump represents a kind of return to the old-time religion, a fundamentalism that rejects the effete nature of dog-whistle politics the way the religious right defined itself by rejecting the watery tenets of liberal Christianity. Implicit within dog-whistling is enough respect for democratic norms and those outside one’s base to speak to that base in terms that the mass populace can’t readily decipher. Here, plausible deniability is at least a recognition that there are people with interests different from one’s own and that their influence, if not their interests or humanity, warrants a certain degree of respect. Trump is doing the opposite of this. He is an exhorter in a midsummer tent revival: direct, literal, and speaking at a decibel that makes it impossible to misunderstand his intentions. The end result of Trump’s evangelism is that a xenophobic, racist, misogynistic, serially mendacious narcissist is poised to pull in somewhere north of fifty million votes in the midst of the most bitterly contentious election in modern American history. The easy analysis holds that Trump’s jihad against decency has wrecked the Republican Party, but the damage is far more extensive than this...
The main problem here is its incompleteness. Cobb completely omits the Democrat Party from any responsibility for the rise of Trumpism. But as anyone with half a brain knows, the radicalization of the Democrats since at least the Iraq war has unleashed ideological forces that just now seem to have spun out of control, mainly because Trump is unfiltered (in his professed disdain for political correctness, and so forth). Also, Cobb forgets that the culture itself has changed since the the days of both Goldwater and Reagan. Social media has only accelerated a coarsening of American life that's seeped into politics like a cancer. Trumpism won't go away because Obamism isn't going away. Polls show that partisans on both sides have increased in strength and there's precious little incentive to cooperate with the opponent. Fractured, polarized politics lets out the worst. If Cobb were honest he'd at least concede that forces across the ideological spectrum are responsible for where we are today, and his failure ---- along with those of his political class ---- will ensure that these same forces of a long shelf life.

But keep reading.

And see also, "Social Media Enables Prejudice to Slip Back Into the Mainstream."

Welcome to Friday's 'The Crap We Missed' Featuring Ariel Winter Braless

At the Superficial, "The Crap We Missed – Friday 11.4.16."

Hat Tip: Drunken Stepfather, "STEPLINKS OF THE DAY."

Social Media Enables Prejudice to Slip Back Into the Mainstream

Blah, blah, blah.

Everybody's prejudiced about something. It's human nature.

I mean, Hillary Clinton slammed Bernie Sanders' supporters as a "basket of losers," and I don't see leftists getting all uptight about that.

See? Prejudices.

But check Edward Luce, at FT, "The age of vitriol: Edward Luce on US politics and social media":

I was first alerted to Richard B Spencer by a horrific Twitter post. The tweet in question showed the ubiquitous photo of a Syrian boy, face covered in blood and dust, with the tagline: “Hey, let’s start WWIII for this f***king kid!” Like most people who saw it, I was offended. That, of course, was the point. Unlike many of his peers, Spencer tweets under his real name. He then revels in the outrage.

Provocation is the goal of the so-called alt-right — the amorphous world of rightwing extremist groups that have thrived in the age of Donald Trump. Memes, such as the one of the Syrian boy, are their weapon. Notoriety is their oxygen. The past year or two have been a field day. “No matter what happens, I will be profoundly grateful to Trump for the rest of my life,” says Spencer.

After what seems like the worst-tempered US election ever, America will at last make its decision on Tuesday. History may look back on 2016 as the year when the US finally chose a woman to lead it, or when the postwar US-global order started to break up. Others will remember it as the election when a rank outsider — a reality-TV star, no less — stormed the citadel and changed the way the game was played.

For my part, having lived in America on and off since the end of the past century, this is the year when democracy’s sense of restraint seemed to vanish. The glue of mutual respect that is so vital to any free society came unstuck. People no longer bother trying to persuade each other. They simply shove their views — or the mere fact of their identity — in your face. Or else they just insult you. The more retweets the better.

For all its pluses, social media has drowned politics in vitriol. New technology has opened up a galaxy of thought once confined to libraries, but it has also enabled ancient prejudices to seep back into the mainstream — anti-Semitism, for example, and hatred of women. In the past few months, the Twitter hashtags #whitegenocide (the view that whites are endangered by multiculturalism) and #repealthe19th (the US constitution’s 19th amendment gave women the right to vote) have trended heavily.

Obnoxiousness has infected all sides of the spectrum but the right has learnt how to play the game better. Partly because it is rebelling against political correctness, it works with fewer boundaries, or none at all. The level of trust between electors and elected has been falling for years. In 2016 the electorate has begun to turn viciously on itself. Is this a blip or a permanent shift? The future of free society may depend on the answer. Democracy cannot prosper for long in a swamp of mutual dislike...
Dramatic much Mr. Luce?

There's more to life than social media. My solution to ugliness and rancor is the be nice. I say hello to everyone, especially at my school. I catch my students off guard when I remember their names and say hello to them outside on the walkways. They really like that, although most don't tell you because they're shy and often don't have many social skills, partially because they spend so much time staring down at an electronic screen.

A solution of course is to get people to interact with each, and to double-down and decency and respect. It's as simple as holding a door for someone, or letting someone pass in front of you (without cutting them off, which is something that happens to me a lot, and that's before social media came along; society's been coarsening for some time).

More at the link.

Friday, November 4, 2016

New WikiLeaks Podesta Emails Spark Accusations of Democrat Party Satanism

I saw some weird tweets earlier today with some strange pictures with a woman holding a bloody animal skull, featured alongside Hillary Clinton's "I'm with Her" logo. I didn't think much of it, other than it looked a little, er, unusual.

Well, now I see what the fuss was.

See the Guardian U.K., "Marina Abramović mention in Podesta emails sparks accusations of satanism."


Hmm, bizarre seems too mild here.

But see Katie Pavlich, at Town Hall, "No, John Podesta's Spirit Cooking Dinner Wasn't About Devil Worship":

Oh 2016. Thank goodness you'll soon be over.

The internet is in a panic today over an email published by Wikileaks and belonging to Clinton campaign chairman John Podesta. The email shows Podesta's brother, Tony Podesta, forwarding an email to John Podesta asking if he can come to a dinner. The dinner is described in the forwarded portion of the email, which is an email from artist Marina Abramovic to Tony Podesta expressing excitement over hosting a "Spirit Cooking" dinner at her home.

Because of the "Spirit Cooking" reference, a number of right-wing websites have rushed to condemn Podesta as a cult involved, blood sucking, hair eating devil worshipper. Twitter is ablaze with satanic images.

First off, we have no proof Podesta did or did not attend the dinner. Second, this dinner was about a "cookbook" and weird art, not devil worship.

Marina Abramovic is an artist (a strange, extreme artist) and published a "cookbook" called Spirit Cooking in 1996. The "cookbook" was featured at New York City's MoMa art museum. She was hosting a dinner at her home promoting the "cookbook" and invited the Podestas....

The dinner likely included a real dinner and Abramovic giving a presentation of her "art." Watch at your own risk here.

Abramovic is into "art" that involves bodily fluids, but that doesn't mean John Podesta is and again, there isn't proof he attended the dinner.

Everyone needs to calm down the hell down, pun intended.

This post has been updated with additional information for clarifying purposes. The "cookbook" is recipes of thoughts, not traditional food recipes. The author deeply regrets ever diving into this topic.

Mel Gibson's a Different Person Now

My son said that "Hacksaw Ridge" was his "favorite" from all the war movies he's seen, which is probably a half dozen, since I almost always drag him along when I go to the movies.

And I think that's because "Hacksaw Ridge" is an epic tale of valor and perseverance in belief, which combines with the harrowing battle scenes to be something of a statement on the meaning of life, faith, and freedom. (I like it a lot myself, although "Saving Private Ryan" remains my favorite movie of all time, combat film or otherwise.)

I was going to write another post about seeing this one, perhaps with the title, "My Oldest Son Said 'Hacksaw Ridge' Was His Best War Movie He'd Ever Seen," although that'd be redundant at this point.

In any case, I've always admired Mel Gibson, especially after "Passion of the Christ." I wasn't too involved with the controversy surrounding the anti-Semitic outburst during his DUI arrest 10 years ago, although it's inexcusable. Justin Chang's movie review suggests that Gibson's reemergence as a top-tier director is in part an effort to get back in good graces with Hollywood, where many in power there probably still hold him in contempt. Be that as it may, I'm going with the personal redemption angle. Certainly, a public statement of apology would be nice, but given his gifts as a director, one of the few working today making eminently memorable classic motion pictures (patriotic movies, in other words), I'm cutting him a little slack.

So, here's a piece at USA Today, "Mel Gibson talks about his troubled past: 'I fed the bullet to the gun'":
Mel Gibson is unveiling a new film with Hacksaw Ridge this week, the first film he's directed in 10 years.

But the Oscar-winning director is aware that people remember his tabloid meltdown era, which started with his infamous 2006 drunken driving arrest in Malibu, Calif. Gibson peppered the arresting officers with anti-Semitic taunts.

Speaking to USA TODAY, Gibson, 60, says he's apologized and moved on from that troubling time, and believes the public has as well.

"A lot of time goes by. People are tired of petty grudges about nothing. About somebody having a nervous breakdown (after) double tequilas in the back of a police car,” says Gibson, now sober. “Regrettable. I’ve made my apologies, I’ve done my bit. Moved along. Ten years later. Big deal."

“I’ve worked on myself a lot,” Gibson adds in a somber voice. “I’m a different person than I was back then. But the thing that remains the same is I think I could always tell a story.”

Gibson says any anti-Semitic label is unfair.

"It's not true. None of my actions bear that sort of reputation, before or since. So it’s a pity, after 30 or 40 years of doing something, you get judged on one night. And then you spend the next 10 years suffering the scourges of perception,” says Gibson. “But it’s my fault for having (allowed) that perception, I fed the bullet to the gun.”
Keep reading.

Also, "Review: Mel Gibson soldiers on with gripping 'Hacksaw Ridge'."

PREVIOUSLY: "Mel Gibson's 'Hacksaw Ridge': Sadism and Pacifism Go to War (VIDEO)."

Vicki Gunvalson Real Housewives of Orange County Topless Photo FBI Investigation

I've watched the show a couple of times.

Ostentatious wealth and vanity's not my thing, however.

Still, this is too much.

At TMZ, "'Real Housewives' Topless Pic Triggers FBI Porn Complaint":
This topless pic of 'Real Housewives of Orange County' star Vicki Gunvalson has triggered an FBI complaint, and the agency is now looking into it ... TMZ has learned.

The pic was taken in Dublin, Ireland where cast members were on a retreat. Production sources say Tamra Judge took the pic and sent it to other cast members and producers with some snarky comments.

Somehow, the photo ended up on the social media account of a 15-year-old girl, who tweeted it out.

A woman named Rosalie saw the photo and filed a complaint with the FBI, saying "Tamara Judge ... sent a nude photograph of an acquaintance of hers (taken at a small gathering) to a FIFTEEN YEAR OLD girl & asked her to distribute it online in an effort to humiliate & harass one Vicki Gunvalson."
More at Casey Anthony's, "Real Housewives of Orange Country Topless Picture Sparks FBI Investigation."

Harper Polling Shows Hillary Clinton and Donald Trump Tied in Pennsylvania

I've never heard of Harper Polling, although apparently the firm's got a decent reputation (a "B-" rating at 538).

Here's the survey, "Pennsylvania Statewide Poll":

With signs of the race trending Trump in the waning days of the campaign, Donald Trump and Hillary Clinton are tied in the Keystone state (46-46%, 2% Johnson, 1% Stein, 4% Undecided). Clinton has a steady lead with women (49% Clinton-44% Trump) while Trump has expanded his advantage with men (43-49%, 9/22: 42-44%). Independents prefer Trump (26-46%) but self-identified Moderates choose Clinton (57-31%).
Well, we'll see. Pennyslvania's a Democrat state, so folks shouldn't get all excited about it. It's just going to be fun on election night as far as I'm concerned. If a couple of blue states fall to Trump in the early evening, look out: It could be a cliffhanger.

More at Breitbart:


ADDED: Here's Salena Zito, who's recently been on the ground in key battleground states. Like I said, election night's going to be a blast. We could see a few surprises. I can't wait:


Hillary Clinton Sent Classified Information to Daughter Chelsea

This should be a scandal of exponential proportions relative to anything Donald Trump has said or been accused of.

But it won't be. The Democrats want Hillary in office, damn the lies and utter venality.

At Politico, plus Judicial Watch below:


HIllary Clinton's Shrinking Electoral College Map (VIDEO)

I don't expect Donald Trump to pull an upset, although anything's possible.

Mostly, I think CNN's hyping the tightening public opinion polls, perhaps creating tension among voters and driving ratings, of course.

I'll have plenty of political coverage over the weekend, and on Tuesday night.

Here's John King:



Mel Gibson's 'Hacksaw Ridge': Sadism and Pacifism Go to War (VIDEO)

That's the message from this great review from Justin Chang, at LAT, "Andrew Garfield goes to war in Mel Gibson's pacifist bloodbath 'Hacksaw Ridge'":

“Hacksaw Ridge,” Mel Gibson’s latest high-minded cinematic massacre, tells the story of Desmond T. Doss, a God-fearing American pacifist who served as a combat medic during World War II and personally carried 75 wounded soldiers from the Battle of Okinawa, ultimately becoming the first conscientious objector to receive the Medal of Honor.

His journey straddles two war zones — the first a largely psychological one, in which Doss endures the scorn and harassment of his fellow soldiers, and the second an intensely physical one, atop a treacherous 350-foot escarpment that gives the movie its title. Steeped in blood, guts and Christian iconography, “Hacksaw Ridge” is a tribute to one man’s courageous adherence to his deepest beliefs, made by a director whose commitment to his aesthetic principles is no less unswerving.

As he did in “Braveheart” and “The Passion of the Christ,” Gibson equates spiritual virtue with a hellish corporeal endurance test. His favorite subject is the testing and purification of a man’s moral mettle — a goal that can be achieved only through a sickening, uncompromising display of brutality.

His new film differs in that its hero nobly refuses to participate in the slaughter. Unlike William Wallace — or Jaguar Paw, the warrior protagonist of Gibson’s previous film, “Apocalypto” — Doss has sworn a sacred vow that he will never use a weapon. And unlike the flayed and battered Jesus we meet in “The Passion,” Doss does not personally endure the bulk of all that digital and prosthetic carnage.

He is an altogether unique kind of hero: a healer, a witness, a patriot and a pacifist. His commitment to nonviolence is established in the first 15 minutes, when, as a spirited young boy (played by Darcy Bryce) growing up in the Blue Ridge Mountains of Virginia, he strikes and almost kills his brother, Hal, with a brick.

That near-fatal mishap brings Desmond to a powerful, almost Damascene moment of reckoning, one that Gibson dramatizes with anguished close-ups, swelling music and a heavy-handed reference to Cain and Abel. By the time we see a grown-up Doss in 1942, with the American war effort in full swing, he is a changed man — quite literally, as he’s now played by Andrew Garfield, whose reedy physique and gawky charm immediately cast him as an unusual kind of soldier.

A Seventh-day Adventist who refuses to bear arms, Doss nonetheless longs to serve his country and enlists in the Army — though not before falling in love with a pretty nurse, Dorothy (Teresa Palmer), whom he pursues with the same cheerful, ingratiating stubbornness that characterizes his every decision. He doubtless inherited some of that iron will from his father, Tom (Hugo Weaving), a scarred, embittered World War I veteran who regularly erupts in fits of drunken abuse at his children and their long-suffering mother, Bertha (Rachel Griffiths).

As a filmmaker, Gibson has a certain genius for the familiar: Even when tackling ancient settings and foreign dialects, his command of the Hollywood blockbuster idiom is such that all cultural differences are effectively rendered nil. That’s very much the case with “Hacksaw Ridge,” a thoroughly American concoction (despite all the top-notch Australian and British acting talent) that eases before long into the sturdy, straightforward rhythms of the platoon picture.

The men Doss meets at boot camp are a predictable mix of tough guys and comic archetypes, none funnier than than a barking drill sergeant wittily played by Vince Vaughn as a benign riff on Gunnery Sgt. Hartman from “Full Metal Jacket.” All these soldiers — including a surly alpha dog, Smitty (Luke Bracey), and a steely commanding officer, Capt. Glover (Sam Worthington) — turn on Doss when they learn he has no intention of touching a rifle. Yet even as he faces accusations of cowardice and enormous pressure to drop out, Doss doubles down on his training, as well as his belief that an important destiny awaits him in Okinawa.

In reconstructing one of the Pacific theater’s deadliest conflicts, “Hacksaw Ridge,” to its credit, seeks to strike a balance and honor the fighters whose courage made Doss’ valor possible. For lengthy stretches of Andrew Knight and Robert Schenkkan’s script, we are not with Doss at all but instead with his comrades in the heat of battle — charging, shooting, stabbing and immolating an equally vicious enemy...
Keep reading.

An excellent review.

I'm heading out to see the movie right now.

More blogging later.

Don't Be Scared, Be Prepared

I like Sarah Kendzior because she's smart. She's super far left, but she's smart and intellectual. I like reading her stuff, even if I disagree. It's brain food.

See, "Our fate was sealed long before November 8 (and not because the election’s rigged)."

Like I said: She's interesting.

'The ABC/WaPo Poll's Track Record Since 1992 is Insane...'

Says Kristen Soltis Anderson, on Twitter.


She's the author of The Selfie Vote: Where Millennials Are Leading America (And How Republicans Can Keep Up), which I desperately need to read.

Character Ultimately Determines Support for Donald Trump

It's not racism after all?

From the erstwhile balanced commentator Jamie Kirchick, at the Tablet, "Who Goes Trump? What ultimately determines support for the GOP nominee isn’t race, class, or political ideology. It’s character":
It is an interesting and somewhat macabre parlor game to play at a large gathering of one’s acquaintances: to speculate who in a showdown would go Trump. Having gone through the experience many times, I have come to know the types: the born Trumpkins, the Trumpkins whom democracy itself has created, the certain-to-be fellow travelers. And I also know those who never, under any conceivable circumstances, would go Trump.

It is preposterous to think that Trump supporters are created by economic or regional characteristics. The rural white working-class may be more susceptible to Trumpism than most people, but I doubt that preference is inherent. Hispanics are barred, but that’s an arbitrary, circumstantial ruling. I know lots of Hispanics who are born Trumpkins and many others who would support Trump tomorrow morning if given an opening to do so. Trumpism has nothing to do with class, ethnicity, or even gender. It appeals to a certain type of mind...
A certain kind of crazy mind, apparently.

But keep reading.

Is Clinton Slipping?

At Sabato's Crystal Ball, "There are more signs of erosion, but her floodgates appear to be holding."

Chanel West Coast

At Drunken Stepfather, "CHANEL WESTCOAST INSTAGRAM ASS AND NIPPLES OF THE DAY."

Thursday, November 3, 2016

Some Obama Voters Now See Donald Trump as Agent of Change

The headline you never thought you'd see.

At NYT, "Some Who Saw Change in Obama Find It Now in Donald Trump":

GRANTVILLE, Pa. — It didn’t take long for Jack Morris to regret voting for President Obama. A few months after Mr. Morris, a lifelong Republican, cast his first vote for a Democrat in 2008, he learned that the carpet company where he worked planned to lay off 36 people in Pennsylvania and move his job to Maryland.

He went home and lamented to his wife that he had made a big mistake buying into Mr. Obama’s message of hope and change. The president had been in office less than half a year, and already the disappointment that would color the next eight years for Mr. Morris was sinking in.

“I just told my wife, ‘I screwed up. I should’ve never voted for him,’” said Mr. Morris, 46, who now supports Donald J. Trump. “I took the chance, left my party to come and try and vote for him to change. It didn’t work, and now I’m back to my party.”

Mr. Morris is one of a small subset of voters who supported Mr. Obama in 2008 and have now embraced Mr. Trump, attracted by his vow to shake up the political status quo and restore lost jobs. A CBS News poll conducted last month found that 7 percent of likely voters who supported Mr. Obama in 2012 now back Mr. Trump, a ray of hope for a candidate who remains behind in most polls and has alienated many centrist voters.

Interviews with Mr. Morris and more than a dozen others show a common theme: The message of change that inspired them to vote for Mr. Obama is now embodied by Mr. Trump, whom they see as a brash outsider unconnected with Washington bureaucrats and the big-money donors funding Democratic and Republican candidates.

Many of those interviewed said they felt duped by the president and frustrated by their personal circumstances. They said Mr. Obama had not done enough to create jobs, unfairly pushed through the Affordable Care Act, and damaged the international reputation of the United States with his handling of foreign affairs. Some also complained that the first black president had bungled his response to racially charged killings...
Keep reading.

In the Mail: Lawrence W. Reed, ed., Excuse Me, Professor

At Amazon, Excuse Me, Professor: Challenging the Myths of Progressivism.

Received from Katie McMenamin, Director of External Relations, at the Young America's Foundation.

Donald Trump Says the System is #Rigged

Is he right?

Is it rigged?

Lauren Southern investigates, for the Rebel:



'Fire Down Below'

At the Sound L.A., from Tuesday morning's drive-time.

From Bob Seger:


THE FIRE DOWN BELOW
BOB SEGER
7:01 AM

Saved By Zero
The Fixx
6:55 AM

What Is Life
George Harrison
6:51 AM

Runnin' Down a Dream
Tom Petty
6:35 AM

Rock'n Me
Steve Miller Band
6:32 AM

Shake It Up
The Cars
6:28 AM

Paint It Black
The Rolling Stones
6:25 AM

Go Your Own Way
Fleetwood Mac
6:21 AM

Don't You (Forget About Me)
Simple Minds
6:05 AM

Something About You
Boston
6:02 AM

Wednesday, November 2, 2016

White Nationalists Plot Voter Intimidation 'Show of Force' for Election Day

I'll believe it when I see it.

The mass media acts like the 1960s rights revolution never happened.

At Politico, "White nationalists plot Election Day show of force":

KKK, neo-Nazis and militias plan to monitor urban polling places and suppress the black vote.

Neo-Nazi leader Andrew Anglin plans to muster thousands of poll watchers across all 50 states. His partners at the alt-right website “the Right Stuff” are touting plans to set up hidden cameras at polling places in Philadelphia and hand out liquor and marijuana in the city’s “ghetto” on Election Day to induce residents to stay home. The National Socialist Movement, various factions of the Ku Klux Klan and the white nationalist American Freedom Party all are deploying members to watch polls, either “informally” or, they say, through the Trump campaign.

The Oath Keepers, a group of former law enforcement and military members that often shows up in public heavily armed, is advising members to go undercover and conduct “intelligence-gathering” at polling places, and Donald Trump ally Roger Stone is organizing his own exit polling, aiming to monitor thousands of precincts across the country.

Energized by Trump’s candidacy and alarmed by his warnings of a “rigged election,” white nationalist, alt-right and militia movement groups are planning to come out in full force on Tuesday, creating the potential for conflict at the close of an already turbulent campaign season.

“The possibility of violence on or around Election Day is very real,” said Mark Potok of the Southern Poverty Law Center. “Donald Trump has been telling his supporters for weeks and weeks and weeks now that they are about to have the election stolen from them by evil forces on behalf of the elites.”

It is difficult to know at what scale these plans will materialize, because Anglin and his fringe-right ilk are serial exaggerators, according to Potok. And rather than successfully uncover widespread voter fraud — for which there is a lack of compelling evidence — or successfully suppress minority turnout, Potok said the efforts are most likely to backfire...
Mark Potok?

The guy's a fraud. If he's making the allegations then I'd bet money there won't be a massive "white nationalist" vote suppression "show of force" on election day.

Sheesh.

More at the link.

And from Ed Driscoll, at Instapundit, "IN THE FUTURE, EVERYONE WILL BE ADOLF HITLER FOR 15 MINUTES – AND THE FUTURE IS NOW: 'Everyone Who Disagrees with the Southern Poverty Law Center Is Hitler'."