It's Time for Hollywood to Stop Defining Great Drama as White Men Battling Adversity

Ouch.

Following-up from earlier, "#OscarsSoWhite."

Here's Mary McNamara, at the Los Angeles Times:

The winner of the 2016 Oscar in practically every category is … white men facing adversity.

Just two years after the much-touted breakthrough of "12 Years a Slave," the best picture nominees announced Thursday, with a few notable exceptions, follow a dishearteningly repetitive story line of white men triumphing over enormous odds: The Hollywood blacklist ("Trumbo"), the vagaries of Wall Street ("The Big Short"), Cold War politics ("Bridge of Spies"), life alone on Mars ("The Martian"), a grizzly bear attack, murderous companions and the hostilities of a cruel winter landscape ("The Revenant").

Even "Spotlight," with its supporting actress nomination for Rachel McAdams, showcases a group of mostly male journalists struggling to expose the brutal crimes committed by the Catholic Church. And though there is feminine power aplenty in "Mad Max: Fury Road," the film's titular character is, of course, Max, and its lead actress didn't even get a nomination.

To be clear, these are all good stories, powerful, well told and beautifully acted. But in world filled with billions of people who are not white men, they are certainly not the only good stories, not by a long shot.

Though our demographics and attitudes continue to change, Hollywood's definition of great drama has remained stubbornly attached to standards and expectations set back when men were men (if they were white) and everyone else needed to just shut up and listen.

Obviously, plenty of films have challenged this sensibility, telling a wide variety of stories from many points of view. But when it comes to Oscar bait, the default remains too often set at literal reading of the four essential categories of conflict: Man versus man, man versus nature, man versus society and man versus himself. As many have already pointed out, the characters in the lead actor category were a writer, scientist/astronaut, tracker, inventor and artist. The characters in lead actress? Homemaker, mother/rape survivor, inventor, wife, clerk.

Certainly "Straight Outta Compton," "Creed," "Concussion" and "Beasts of No Nation" fit the "classic" definition of literary conflict. They just didn't fit, apparently, academy voters' ideas of a classic best picture...

Hypocritical, racist Hollywood.

Who woulda thunk it?!!

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