U2 Live at Angel Stadium Anaheim

At LAT, "Live Review: U2 at Angel Stadium":

U2, formed in Dublin, Ireland, in 1976, returned to the Southland to make up for two concerts they were forced to cancel when singer Bono, 51, injured his back during rehearsals last spring.

During that forced intermission, other real-life hurdles challenged the notion that the band was indestructible. U2’s two principal songwriters, Bono and guitarist The Edge, teamed up with director Julie Taymor for a Broadway adaptation of Spider-Man called “Spider-Man: Turn Off the Dark” that has become the butt of jokes, the scene of injuries and the target of scathing reviews for nearly two years.

In an early critique of a preview "Spider-Man" performance, Times critic Charles McNulty called the music created by the two “a cacophonous brew.” The refurbished show officially opened last week, and the new reviews aren’t much better. Add to that Thursday's news that the California Coastal Commission had rejected The Edge's development proposal, decried by many conservationists, to build five mansions on an undeveloped site above Malibu, and, well, this hasn’t been a great year for U2.
So the question pre-concert became: How deep were these wounds? Could the power of music help redeem a band that throughout its career has declared over and over again its desire and ability to do just that? Basically, could U2 still bring it?

At the beginning of the concert, not really. Starting with “Even Better Than the Real Thing,” the band sounded muddled, the engine of the music not yet warm, the stadium not yet tuned, the fans experiencing the initial adrenaline rush but not yet buried inside the rhythms. And “I Will Follow,” the first cut on the band’s first album, "Boy” (1980), hasn’t aged well, even if it pulls at the nostalgia strings for many; the rhyme scheme is young and clumsy, the guitar line relatively simple and undynamic.

And when, during “Get on Your Boots,” two rolling bridges that connect different parts of the circular stage first rolled into place and The Edge and bassist Adam Clayton played in the middle above the crowd, the maneuver felt very 2009; too staged, too postured, and a touch clumsy -- even though the song is one of the danciest, most propulsive songs in the band’s catalog.

But something magical happened about 20 minutes in, during “Elevation.” Maybe it was the overjoyed crowd bellowing the song’s “Woooo-oooo” chorus in unison, or the way the lights reflected off the masses. Whatever it was, it rushed across Angel Stadium like a cold front, leaving in its wake the sacred sensation that all music lovers seek. The sound and vision clicked, the world started sparkling, the audience moving and singing as one. The moment swirled as Bono went carnal on us: “Higher than the sun, you shoot me from a gun,” he declared to his lover, and the thousands did it too. “I need you to elevate me here/At the corner of your lips/As the orbit of your hips’/Eclipse.