Also, an architectural review, from Christopher Hawthorne, at the Los Angeles Times, "Architecture review: At 9/11 Memorial Museum, a relentless literalism":
Many New Yorkers, still trying to make sense of the 2001 destruction of the World Trade Center, have had a single question as a museum was being built at ground zero: Too soon?Keep reading.
Now that the 9/11 Memorial Museum, as it's officially called, has opened to the public, they and others may find themselves asking something else: Too much?
The museum is an overstuffed answer to the appealing minimalism of the 9/11 memorial and its cascading pools, which opened in 2011.
It extends deep below the memorial in a series of cavernous, hangar-like rooms. Its galleries contain crushed fire trucks, mangled steel, multimedia displays, a torn seatbelt from one of the airplanes that hit the towers, clothing and bicycles covered with ash from their collapse, photographs, architectural models and literally thousands of other pieces of dark memorabilia.
The intensity, scope and sheer unrelenting literalism of this approach marks a significant change in how we choose to mark national trauma. No longer do we see memorials as capable of commemorating an entire war or attack on their own.
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